Csardas Ferenc Santa's Gypsy Band Popular Hungarian gypsy music owes much of its form to earlier aristocratic encouragement. In particular the csardas,...
Csardas
Ferenc Santa's Gypsy Band
Popular Hungarian gypsy music owes much of its form to earlier aristocratic
encouragement. In particular the csardas, which makes use of folk
elements, provided entertainment for the nobility, among whom it was supposed
that the csadas, which derives its name from the word csadas, a
country inn, was danced on Sunday afternoons at such inns by the peasantry. The
dance was introduced to polite society in the late 1830s, notably, it is said,
by Count Bela Wenckheim, who coined the name. The csadas is similar in
form to the verbunkos or recruiting-dance, with its slow opening section
and rapid second section, and has come to epitomize Hungarian gypsy music.
It was Liszt who, in the heyday of musical nationalism, seized on the csadas
as a source for his Hungarian Rhapsodies, wrongly supposing this to
be an example of real Hungarian folk-music, rather than the hybrid form that it
was. It was left to Bartok and Kodaly in a later generation to collect and
classify the true folk-music of Hungary and neighbouring regions, distinguishing
this from the form of popular music provided by the gypsy bands.
The bands themselves have a long history, whether providing music for the
Esterhazy family at their great palace of Esterhaza in the time of Haydn or
for later generations in less distinguished surroundings. Basic instrumentation
continues very largely the traditions of the eighteenth century, with a solo
violin carrying the improvisatory melodic burden, accompanied by a second violin
or viola, double bass and cimbalom, with the additional use of the tarogato,
an instrument similar in timbre to the clarinet, which sometimes replaces
it. The tarogato has a long association with Hungarian nationalism and
was at one time banned by the Austrian authorities for that very reason.
The music of Ferenc santa and his gypsy band includes examples of the csadas
with the famous use of the form by the Italian violinist Vittorio Monti (1868
-1922), who made his later career in Paris. Also included is Skylark by
the Romanian violinist and Carl Flesch pupil Grigoraş Dinicu (1889 -1949),
who arranged a number of popular Romanian melodies and is well remembered for
his famous Hora Staccato, using
the traditional dance-form, also coupled here with a traditional doïna, a
popular improvisatory form. In addition to the prominent solo violin, the gypsy
band also provides variety in solos for the cimbalom, with reminiscences of
material used by Kodaly in his Hary Janos, and for the characteristic tarogato.
Ferenc Santa
Ferenc Santa was born in Kaposvar in 1945. He was trained at the Music
1968, and thereafter played in different symphony orchestras. He established his
own gypsy orchestra in 1973. From 1974 his orchestra has performed in several
countries and is a virtuoso gypsy violin player. He has made several recordings.