Vasily
Sergeyevich Kalinnikov (1866 -1901)
Symphony
No.l in G Minor
Symphony
No.2 in A Major
Vasily Sergeyevich
Kalinnikov was born in 1866 at Voina, in the Oryol District, where Turgenev,
Henry James's "beautiful genius", had been born in 1818. The son of a
police official, he was allowed, through the ecclesiastical connections of the
family, to study at the seminary in Oryol, where he took charge of the choir at
the age of fourteen. In 1884 he went to Moscow as a scholarship student at the Philharmonic Society School, taking lessons on the
bassoon and in composition with Alexander Il'yinsky and the self-taught Pavel Blaramberg,
a statistician by profession. The poverty of his family which had made it
impossible for him to study at the Conservatory forced him to earn a living
playing the bassoon, timpani or violin in theatre orchestras and further
weakened his health, already affected by childhood privations. He was able to
profit, however, from the friendship and teaching of S. N. Kruglikov.
In 1892 Kalinnikov's
fortunes seemed about to take a turn for the better, with his appointment, on
the recommendation of Tchaikovsky, as conductor at the Maliy Theatre in Moscow
and the following year by a similar appointment at the Moscow Italian Theatre,
but a few months later his deteriorating health compelled him to resign in
order to seek in the relative warmth of the South Crimea a cure for the
tuberculosis from which he suffered. He was to remain in Yalta for the rest of his
short life, completing there his two symphonies, and, among other instrumental
works, incidental music for the play Tsar Boris by Alexey Tolstoy,
staged at the Maliy Theatre in 1899.
Towards the end of his
life Kalinnikov received some financial relief through the good offices of
Sergey Rachmaninov, who had visited him in Yalta and been appalled at the conditions in which he
found him living. The latter's intervention with the publisher Jurgensen
brought an immediate sum of 120 roubles for three songs and an offer to publish
the score, parts and piano-duet transcription of the Second Symphony, which
had its first performance in Kiev in 1898, a year after the first performance
of the First Symphony, which was also heard in Moscow, Vienna and
Berlin. Rachmaninov also arranged payment for a piano arrangement of the
earlier symphony, but Kalinnikov did not live to benefit from his new agreement
with Jurgensen. He died early in January 1901, before his 35th birthday. His
death induced Jurgensen to offer Kalinnikov's widow an unexpectedly high sum
for the rest of her husband's manuscripts, with the remark that he paid because
the composer's death had multiplied the value of his works by ten, a sad
reflection on commercial reality.
Kalinnikov's Symphony
No.1 in G minor, written in 1894 and 1895, was first performed at a
Russian Music Society concert in Kiev in 1897 under the direction of Vinogradsky. It
was dedicated to Kruglikov and is generally regarded as representative of the
best of his achievement as a composer, although Rimsky-Korsakov was critical of
the work on technical grounds not apparent from the later published score. Its
first movement, marked Allegro moderato, has an attractive and lyrical
principal theme of obvious Russian character. This is developed in colourful
orchestration, with contrasting material related to it and with fugal treatment
of the main theme. The slow movement, Andante commodamente, provides an
immediate contrast in texture and colour, with orchestration that, as so often
with Kalinnikov, suggests Tchaikovsky's skin in the art. A poignant oboe melody
emerges, answered by the strings, swelling to a climax before proceeding to a
more lyrical section, in which again the woodwind assumes prominence. The
plaintive oboe melody is heard again, before the movement ends with the
serenity with which it had begun. The following Scherzo, even more
Russian in its melodic language; changes the mood of introspection, now a
peasant dance, contrasted with the melancholy of the trio section. The final
movement opens with a reminiscence of w hat has passed, before proceeding to a
forthright principal theme, to which thematic material from the first movement
and new material offer a contrast. The symphony ends in massive and positive
triumph.
Kalinnikov's Second
Symphony, written between 1895 and 1897, again is conceived in a thoroughly
Russian musical language, skillfully and colourfully orchestrated. The first
movement opens solemnly, but this solemnity is soon discarded, with further
thematic material that, as often in Kalinnikov, suggests the Russian ballet, at
least in its colourful orchestration and lyrical elements, although here
developed and extended symphonically, with a command of contrapuntal procedure
already evident in the development sections of the earlier symphony. The ebullient
conclusion of the movement is followed by an Andante cantabile, with a
tender melody entrusted to the cor anglais. The music mounts in intensity of
feeling, before the expected return of the gentle mood of the opening. The scherzo
provides an immediate contrast, to which the oboe, in a trio section,
offers again a change of mood, with a contrapuntal treatment of the thematic
material, an element evident in the scherzo sections of the movement.
The finale starts reflectively, but this initial mood of reminiscence is soon
interrupted, for the moment at least, by the Allegro vivo in which
Kalinnikov again deploys his skills in orchestration, in counterpoint and in
the invention of varied melodic material that always retains a clear Russian
character, leading to a conclusion of the necessary triumphant optimism.