Kalman: Csardasfurstin (Die) (The Gypsy Princess)
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Emmerich Kalman (1882-1953) The Gypsy Princess Emmerich Kalman was born on 24th October 1882 in the Hungarian town of Siofok. His father was a well-todo...
Emmerich Kalman (1882-1953)
The Gypsy Princess
Emmerich Kalman was born on 24th October 1882 in
the Hungarian town of Siofok. His father was a well-todo
businessman but was reduced to bankruptcy during
Kalman's childhood, an experience which left a lasting
mark on young Kalman's imagination. The family
moved to Budapest, then one of the twin capitals of the
Austro-Hungarian Empire, and despite his father's
determination that Kalman should make a career in law
it soon became evident that the call of music was too
strong to be ignored. Originally Kalman's ambition was
to be a concert pianist, but this was thwarted by an
affliction to his arm-muscles. In Kalman's own words "I
was as one who had fallen from the clouds, a very
serious and very sad young man". Indeed, according to
that great historian of Viennese operetta, Bernard Grun,
Kalman remained that way inclined all his life. "Even at
times of his greatest triumphs", wrote Grun, "the stocky
man with the friendly blue eyes generally looked very
serious and very sad. Rapture and high spirits were as
foreign to his nature as bad manners and uncouthness.
The Csardas-cavalier was a sober and careful citizen
who did his work, kept his finances in order and quietly
went on his way."
But to return to Kalman's youth. He studied
composition in Budapest with Professor Koessler, who
also taught Bartok and Kodaly. In 1907 his serious
compositions won him the prestigious Franz-Joseph
Prize of the City of Budapest, but within a year he had
registered his first outstanding success as an operetta
composer. This was Herbstmanover (Autumn
Manoeuvres), which not only brought him to the
attention of the operetta moguls in Vienna, but even
reached the stages of London and New York. Within a
couple of years Kalman had moved to Vienna, a city
which, since the rebirth of operetta with Lehar's
irresistible Merry Widow in 1905, had been gripped by a
positive epidemic of operetta fever. With Der
Zigeunerprimas (1912) Kalman achieved what he
himself always regarded as his finest score, and it
moved the authoritative critic Richard Specht to write:
"If, after the experiences of the past season, I were to
choose one of the operetta-maestri as the man for whose
talents I had the highest hopes, that man would be
Kalman." Specht's hopes were not betrayed when, in
1915, Kalman produced what was to remain his greatest
popular success, Die Csardasfürstin (The Gypsy
Princess). Outstanding among his later works were the
enchanting Grafin Maritza (Countess Maritza) (1924)
and Die Zirkusprinzessin (The Circus Princess) (1926),
and at least four of his other operettas were a great deal
more than merely passing successes. In 1938 Kalman
sought refuge from the Nazis in the United States. After
the war he returned to Europe and died in Paris on 30th
October 1953.
Kalman's great contribution to the musical
language of Viennese operetta was to bring to it the
brilliant colours, the heady rhythms and the dynamic
energy of his native Hungary - not just as an imitator,
like so many other composers, but as one who was
speaking his own musical mother tongue. By the time
he wrote Die Csardasfürstin he was achieving an ideal
blend of Hungarian soul, Viennese elegance and
international sophistication. For the audiences which
packed the Johann Strauss Theater for a record-breaking
run during the dark days of the First World War it
mirrored and preserved a way of life which they were
beginning to realise had vanished for ever. They left the
theatre feeling better than they had when they went into
it, a quality which the piece still pre-eminently
possesses.
Apart from a marvellously varied score, one which
does not contain a single weak number, Die
Csardasfürstin benefits from an expertly constructed
libretto by Leo Stein and Bela Jenbach. The characters
are vividly etched, the comic dialogue is still genuinely
funny, and the volte face which transforms doom and
gloom into a happy ending is a classic of its kind. The
mainspring of the plot, a mesalliance between aristocrat
and showgirl, may seem today like something which
could only exist in the pages of operetta, but that is far
from true; in London society, for instance, many an
eyebrow was raised when the Marquis of Headfort took
as his bride a delectable Gaiety Girl named Rosie Boote
The basic ambience of The Gypsy Princess is the world
of what in London were called the Stage Door Johnnies,
and though it may be tempting today to dismiss them as
a bunch of idle wastrels it is worth remembering how
many of them, whether from London, Vienna or
Budapest, had, by November 1918, sacrificed their
lives.
Nigel Douglas
Die Csardasfurstin (The Gypsy Princess) (more info)
Performed by:
Budapest Symphony Orchestra
Hungarian Operetta Orchestra
Slovak Radio Symphony Orchestra
Schwanen Salon Orchestra
Morbisch Festival Orchestra
Linz Bruckner Orchestra
Cologne West German Radio Orchestra
Composed by:
Emmerich Kalman
Conducted by:
Richard Bonynge
Georg Huber
Peter Guth
Michail Jurowski
Laszlo Kovacs
Rudolf Bibl
Jan Schultsz
Eva Marton, soprano
Janos Berkes, tenor
Edith Lienbacher, soprano
Marian Vach, choirmaster
Yvonne Kenny, soprano
Ingrid Kertesi, soprano
Adrian Erod, baritone
Herbert Lippert, tenor
Martina Serafin, soprano
Michael Roider, tenor
Mirjana Irosch, mezzo-soprano
Ferdinand von Bothmer, tenor
Kerstin Grotrian, soprano
Harald Serafin, baritone
Frigyes Harsanyi, baritone
Michael Gampe, bass
Gottfried Falkenstein, baritone
Mojca Erdmann, soprano
Marko Kathol, tenor
Karl-Michael Ebner, tenor
Heinz Holecek, bass
Yvonne Kalman,
Hellmuth Klumpp,
Noemi Nadelmann, soprano
Jyrki Niskanen, tenor
Recording date: 9-17 December 2002
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Vorspiel - 2:53
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Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus) - 3:14
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Act I: Marsch: Alle sind wir Sunder (Boni, Feri, 8 men) - 4:11
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Act I: Duett: Sylva, ich will nur dich (Sylva, Edwin) - 5:06
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Act I: Lied: Aus ist's mit der Liebe (Boni, 8 women) - 3:16
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Act I: Lied: O, jag' dem Gluck nicht nach (Sylva, Edwin, Boni, Feri) - 5:17
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Act I: Finale I: Ich, Edwin Ronald - 16:11
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Act II: Entr'akt - 1:58
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Act II: Tanzwalzer: Erstrahlen die Lichter (Chorus) - 3:12
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Act II: Schwalbenduett: Ich warte auf das grosse Wunder (Stasi, Edwin) - 4:32
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Act II: Duett: Heller Jubel (Sylva, Edwin) - 6:26
Die Csardasfurstin (The Gypsy Princess) (more info)
Performed by:
Budapest Symphony Orchestra
Hungarian Operetta Orchestra
Slovak Radio Symphony Orchestra
Schwanen Salon Orchestra
Morbisch Festival Orchestra
Linz Bruckner Orchestra
Cologne West German Radio Orchestra
Composed by:
Emmerich Kalman
Conducted by:
Richard Bonynge
Georg Huber
Peter Guth
Michail Jurowski
Laszlo Kovacs
Rudolf Bibl
Jan Schultsz
Eva Marton, soprano
Janos Berkes, tenor
Edith Lienbacher, soprano
Marian Vach, choirmaster
Yvonne Kenny, soprano
Ingrid Kertesi, soprano
Adrian Erod, baritone
Herbert Lippert, tenor
Martina Serafin, soprano
Michael Roider, tenor
Mirjana Irosch, mezzo-soprano
Ferdinand von Bothmer, tenor
Kerstin Grotrian, soprano
Harald Serafin, baritone
Frigyes Harsanyi, baritone
Michael Gampe, bass
Gottfried Falkenstein, baritone
Mojca Erdmann, soprano
Marko Kathol, tenor
Karl-Michael Ebner, tenor
Heinz Holecek, bass
Yvonne Kalman,
Hellmuth Klumpp,
Noemi Nadelmann, soprano
Jyrki Niskanen, tenor
Recording date: 9-17 December 2002
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Act II: Quartett: Liebchen, mich reisst es (Sylva, Stasi, Edwin, Boni) - 4:22
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Act II: Duett: Madel, guck (Stasi, Boni) - 2:38
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Act II: Duett: Tanzen mochte ich (Sylva, Edwin) - 3:33
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Act II: Finale II: Das Gluck wohnt uberall - 9:34
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Act III: Intermezzo - 2:27
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Act III: Terzett: Nimm, Zigeuner, deine Geige (Sylva, Boni, Feri) - 3:59
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Act III: Duett-Reminiszenz: Madel, guck (Stasi, Boni) - 1:28
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Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) - 0:56
Der Zigeunerprimas, "Sari" (more info)
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Der Ziguenerprimas: Dorfkinder - 6:56
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Der Zigeunerprimas: Vive le roi - 4:48
Die Faschingsfee (more info)
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Die Faschingsfee: Hollaho, hollaho, wir kommen zurecht - 5:29
Das Hollandweibchen (A Little Dutch Girl) (more info)
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Das Hollandweibchen: Lockend soll ertonen Dir ein feurig Lied - 4:10
Der Teufelsreiter (more info)
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Der Teufelsreiter: Grand Palotas de la Reine - 6:51