BERKELEY, LENNOX (1903 - 1989)
Although Lennox Berkeley had begun composing as a
child, he did not initially plan a career in music and read
Modern Languages at Oxford. There he wrote his first
published work, a song The Thresher, and after
encouragement from Ravel he moved to Paris to study
with Nadia...
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Although Lennox Berkeley had begun composing as a
child, he did not initially plan a career in music and read
Modern Languages at Oxford. There he wrote his first
published work, a song The Thresher, and after
encouragement from Ravel he moved to Paris to study
with Nadia Boulanger. During this time he met
Stravinsky and Poulenc, becoming a life-long friend of
the latter. Another significant friendship was begun in
1936 at the ISCM Festival in Barcelona, when he met
Britten, with whom he composed Mont Juic, based on
Catalan folk-tunes they heard in a park. Despite being ten
years Berkeley’s junior, Britten was an important mentor
to him in his development. Berkeley’s reputation was
established in the early 1940s with the premières of the
Serenade for Strings (1939), First Symphony (1940) and
Divertimento (1943). Apart from Ravel, Fauré, the neoclassical
works of Stravinsky and Britten, Berkeley’s
personal voice was also influenced by Mozart and
Chopin. His music is marked by elegance, charm, wit and
masterly craftsmanship. Apart from composing, Berkeley
taught from 1946 to 1968 at the Royal Academy, where
his pupils included John Tavener and Richard Rodney
Bennett. He was knighted in 1974. In over a hundred
compositions he contributed to all genres, including four
operas and four symphonies. Among his finest
achievements are the one-movement Third Symphony
(1969), Horn Trio (1953) and the Four Poems of St
Teresa of Avila (1947). His legacy
also includes a significant body of compositions setting
sacred texts and liturgy. These sprang from his strong
personal faith, and membership of the Roman Catholic
Church, which he joined in 1928.
In an article Truth in Music (1966), Berkeley offered
his views about composing works for the church: ‘Being
a Roman Catholic, I have naturally been drawn to the
Latin liturgy and felt at home with it; it’s part of my life,
and I have wanted to bring to it what I have to offer,
however unworthy’.