Night At The Opera (A) - Favourite Opera Arias, Duets and Ensembles
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A Night At The Opera Based on Victor Hugo's Le Roi s'amuse, Verdi's Rigoletto centres on the curse of a father on the father of the title, the court jester...
A Night At The Opera
Based on Victor Hugo's Le Roi s'amuse, Verdi's
Rigoletto centres on the curse of a father on the father of
the title, the court jester to the Duke of Mantua. The
climax of the action comes in the third act. Gilda, the
beloved daughter of Rigoletto, has been abducted by
Rigoletto's enemies at court and seduced by the Duke,
for whose murder Rigoletto has hired an assassin,
Sparafucile. The scene is by the banks of the River
Mincio, where Rigoletto and Gilda wait outside a twostorey
house. The Duke appears, disguised as an
ordinary officer, and enters the house, asking
Sparafucile for wine and for a room. He is joined by
Sparafucile's sister Maddalena, while Sparafucile
leaves them together, going out into the street to ask
Rigoletto if this is the man. In the quartet the Duke
declares his love for Maddalena, while Gilda, observing
the scene from outside, is heart-broken at her lover's
faithlessness, to which Rigoletto draws her attention. In
what follows Rigoletto tells his daughter to go home
and disguise herself in man's clothes, ready to leave the
city. Sparafucile is persuaded by Maddalena to spare the
Duke, killing instead the first man to enter. In the event
this is Gilda, willing to sacrifice herself for her lover.
Rigoletto returns, ready to receive the body of his
victim, and takes the murdered body in a sack, prepared
to throw it into the nearby river. At this moment he
hears the voice of the Duke from within the house, and
realises he has been tricked. He opens the sack and in a
flash of lightning sees the face of his daughter Gilda.
Mozart wrote his opera La clemenza di Tito (The
Clemency of Titus) in 1791 for the coronation in Prague
of Leopold II as King of Bohemia. The libretto was
adapted from Metastasio and deals with the beneficence
of the Roman Emperor Titus, whose friend Sextus is
persuaded by Vitellia, jealous of Titus, to attempt his
murder, a plan from which she later relents, when it
seems that she herself may marry the Emperor. Sextus
makes his attempt, Vitellia admits her complicity, and
both are pardoned. In his first-act aria Parto, parto,
Sextus agrees to Vitellia's demands, to the
accompaniment of a basset clarinet, in the original
scoring, a part for the Vienna court clarinettist Anton
Stadler, for whom Mozart wrote other works in the last
years of his life.
Perhaps the best known operatic transformation of
Goethe's drama Faust is the 1858 opera by the French
composer Charles Gounod. In his third-act Cavatina
Faust, left alone outside the house of his beloved
Marguerite by his satanic guide Mephistopheles, sings
of her innocence, but Mephistopheles is soon to return
with a casket of jewels, a temptation for Marguerite.
She is later to give way to Faust, in his transformed
guise as a young man, and bears a child, which she kills.
In the final scenes she is imprisoned, condemned to
death. Faust, assisted by Mephistopheles, tries to
persuade her to escape with him, but she turns instead to
the angels, who will assure her salvation in spite of the
machinations of the Devil.
Puccini's popular opera of 1895, La Bohčme, set in
the artists' quarter of Paris, is based on Henri Murger's
novel Scčnes de la vie de bohčme. The impoverished
young poet Rodolfo falls in love with Mimě, a
seamstress, a neighbour. Their love fails and Mimě
seeks other protectors, before her poignant death from
consumption, united once more with Rodolfo. At
Mimě's return Rodolfo's friends try to raise money to
help her and Colline, the philosopher of the group, goes
out to pawn his old coat, Vecchia zimarra, to buy
medicine for her.
Mozart's 1787 collaboration with the poet Lorenzo
Da Ponte, Don Giovanni, was written for Prague, where
it was first performed. It deals with the escapades and
fate of the ruthless philanderer of the title, eventually
dragged down to Hell by the stone statue of the old
Commendatore he has killed in his attempt on the
honour of the old man's daughter. In Lŕ ci darem la
mano (Give me your hand) Don Giovanni exercises his
powers of seduction on the peasant girl Zerlina, whose
marriage to Masetto is about to be celebrated.
Verdi's 1867 opera Don Carlo has a plot of some
complexity, derived from Schiller. Written with a
French libretto it was revised in an Italian version in
1884. The Infante Don Carlos is in love with Elisabeth
de Valois, who, it is decided, shall marry his father,
Philip II of Spain. Matters are complicated when Don
Carlos declares his love to one he thinks to be Elisabeth,
but is in fact the Princess Eboli, who determines on
revenge, when she learns of his true feelings. Don
Carlos is implicated in disaffection in Flanders and
imprisoned, while his friend Rodrigo, also involved, is
killed. Don Carlos meets the Queen by the tomb of the
old Emperor, whose voice is heard, allowing the young
man to escape death and find refuge in the monastery.
Rodrigo, in the two arias included, gives his life for his
friend Don Carlos, having sought to take the blame for
the apparent implication of his friend in treachery.
Offenbach's Les contes d'Hoffmann (The Tales of
Hoffmann) was completed and staged in 1881, a year
after the composer's death. It links separate stories by
the German writer of the title. In the fourth act (the third
in earlier versions of the opera) Hoffmann's friend
Nicklausse is heard approaching by gondola on the
Grand Canal in Venice, with the courtesan Giulietta,
later to be persuaded to help the villainous Dapertutto in
his attempt to acquire Hoffmann's reflection. The
Barcarolle is one of the best known elements in the
opera.
Handel's early reputation rested in good part on his
Italian operas, one of which had brought his first
introduction to London, where he was to live and work
until his death in 1759. His opera Orlando was staged
there in 1733 and centres on the dilemma of Orlando,
torn between love and the glory to which the magician
Zoroastro urges him. Love for Angelica drives him
mad, but he is finally brought to his senses by
Zoroastro, while Angelica is united with her lover
Medoro. In his splendid aria Sorge infausta una
procella (Rise, ill-omened storm) Zoroastro, in the third
act, intervenes, in his allotted rôle as deus ex machina,
written for the great bass Antonio Montagnana.
In Restoration London it became the fashion to
adapt the plays of Shakespeare to suit modern taste, in
addition to a further current repertoire of plays with a
considerable musical element. The Tempest was
adapted by various writers and staged in these revised
forms. The version with music attributed to Henry
Purcell, who died in 1695, is only certainly known to
have been staged in 1712, and the greater part of the
music is now generally attributed to John Weldon, a
contribution that includes the famous aria Arise ye
subterranean winds, sung by a devil.
Verdi's Il trovatore (The Troubadour) was first
staged in Rome in 1853. The troubadour of the title,
Manrico, is the long-lost son of the old Count di Luna,
abducted and brought up by the gypsy Azucena. The
plot revolves around the conflict between Manrico and
his brother, the young Count di Luna, both in love with
Leonora. Manrico and Azucena are eventually taken
prisoner by the Count, the former to be released in
exchange for Leonora's capitulation to the Count, foiled
by her suicide. Manrico is put to death, while Azucena
can now reveal to the Count that he has killed his own
brother, her revenge for the killing of her own mother.
Leonora sings her moving D'amor sull'ali rosee (Love,
fly on rosy wings) as she hears the Miserere from the
castle where her beloved Manrico is held prisoner.
Les pęcheurs de perles (The Pearl-Fishers), an
opera by Bizet, first staged in Paris in 1863, is set in
Ceylon (Sri Lanka), where two fishermen, Zurga and
Nadir, are in love with the beautiful Leila, a priestess of
Brahma. Threatened with death for sacrilege, Nadir is
eventually allowed to escape with Leila, through the
intervention of Zurga. In Au fond du temple saint
(Within the sacred temple) the two men recall the
beautiful girl they had once seen.
Richard Strauss's Ariadne auf Naxos (Ariadne on
Naxos), with a libretto by Hugo von Hofmannsthal, its
second version first seen in 1916, combines a serious
opera, that of the title, with a commedia dell'arte
performance, on the apparent instructions of a patron
anxious to display his new wealth. The young composer
is at first distressed at the situation, but is persuaded to
agree to the suggested compromise. He sings praise of
the holy art, before the anticlimax of the comedians, to
whose participation he now realises he has agreed.
Gianni Schicchi forms part of Puccini's 1918
trilogy, Il trittico. Based on an incident recounted in
Dante's Inferno, it shows how Gianni Schicchi, brought
in by greedy relatives to impersonate a dead man and
alter his will in their favour, succeeds in outwitting the
whole of the dead man's family, by writing a new will
that leaves everything to himself. In Avete torto! (You
are wrong!) Rinuccio, a young member of the bereaved
family, in love with Gianni Schicchi's daughter
Lauretta, recommends the employment of Gianni
Schicchi in the plot, in music that immediately precedes
the latter's entrance.
First staged in Paris in 1835, Bellini's I puritani
(The Puritans) is set in the period of the English Civil
War, with a gallant cavalier assisting the escape of
Queen Henrietta Maria, disguised in his bride Elvira's
veil. Elvira enjoys a bout of operatic insanity, before a
Puritan victory allows general reconciliation. In Suoni
la tromba (The trumpet sounds) the retired Puritan
colonel Sir Giorgio, Elvira's uncle, has persuaded the
younger Puritan, Sir Riccardo Forth, himself in love
with Elvira, to do his best to protect her betrothed, the
cavalier Lord Arturo Talbo, provided, now having
escaped, he does not join the battle against the Puritans.
Together they call for freedom.
Keith Anderson
Rigoletto (more info)
Performed by:
Polish National Opera Orchestra
Victor Orchestra
Berlin Philharmonic Orchestra
Stockholm Symphony Orchestra
New Symphony Orchestra
RCA Victor Orchestra
RTBF Symphony Orchestra
Russian Philharmonia Orchestra
New York Metropolitan Opera Orchestra
Estonian State Symphony Orchestra
Frankfurt Brandenburg State Orchestra
Edmonton Symphony Orchestra
Calgary Philharmonic Orchestra
Rome Opera Orchestra
Nils Grevillius Orchestra
CSR Symphony Orchestra, Bratislava
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Berlin State Opera Orchestra
Milan La Scala Orchestra
Studio orchestra
English National Opera Orchestra
Europa Symphony
Russian Philharmonia
Metropolitan Orchestra
Mannheim National Theatre Orchestra
Vitaphone Orchestra
Composed by:
Lawrence Tibbett
Cesare Sodero
Enrico Caruso
Giuseppe Verdi
Conducted by:
Jacek Kaspszyk
Josef A. Pasternack
Eri Klas
Will Humburg
Mark Elder
Giulio Setti
Walter Goehr
Walter B. Rogers
Rosario Bourdon
Renato Cellini
Mario Bernardi
Selmar Meyrowitz
Franco Ghione
Nils Grevillius
Michael Halasz
Ondrej Lenard
Ettore Panizza
Gennaro Papi
Alexander Rahbari
Tullio Serafin
Ronald Zollman
Uri Mayer
Charles Rosekrans
Jonel Perlea
Heribert Beissel
Leo Blech
Ivan Anguelov
Wolfgang Grohs
Frederic Chaslin
Herman Heller
Norman Cordon, bass
John McCormack, tenor
Alida Ferrarini, soprano
Louise Homer, contralto
Nellie Melba, soprano
Giuseppe Valdengo, baritone
Beata Ulas, soprano
Agnieszka Wolna, alto
Raphaelle Paquette, soprano
Gregory Dahl, baritone
Antoine Belanger, tenor
Alexandre Sylvestre, baritone
Joseph Schwarz, tenor
Claire Dux, soprano
John Rawnsley, baritone
Renato Ercolani, tenor
Plinio Clabassi, bass
Anna Maria Rota, mezzo-soprano
Roberta Peters, soprano
Beniamino Gigli, tenor
Leonard Warren, baritone
Erna Berger, soprano
Jan Peerce, tenor
Nan Merriman, mezzo-soprano
Giuseppe Di Stefano, tenor
Frederic Jagel, tenor
Lucrezia Bori, soprano
Lina Pagliughi, soprano
Luisa Tetrazzini, soprano
Pasquale Amato, baritone
Josephine Jacoby, mezzo-soprano
Helen Field, soprano
Peter Dvorsky, tenor
Reinald Werrenrath, baritone
Giacomo Aragall, tenor
Tito Schipa, tenor
Landon Ronald, piano
Hjordis Schymberg, soprano
Alzbeta Michalkova, contralto
Carlo Forti, bass
Thomas Harper, tenor
George Cehanovsky, baritone
Giuseppe de Luca, baritone
Dmitri Hvorostovsky, baritone
Joseph Schmidt, tenor
Arthur Davies, tenor
Elvira Galassi, soprano
Luisa Mandelli,
Ladislav Neshyba, bass
Adriana Lazzarini, contralto
Giuse Gerbino, mezzo-soprano
Vittorio Tatozzi,
Nicola Zaccaria, bass
William Dickie,
Robert Merrill, baritone
Giorgio Tozzi,
Lado Ataneli, baritone
Amelita Galli-Curci, soprano
Flora Perini, mezzo-soprano
Jozef Spacek, baritone
Robert Szucs, tenor
Jozef Abel, tenor
Ivica Neshybova, soprano
Peter Subert, tenor
Jitka Saparova, contralto
Jorma Hynninen, baritone
Martha Lipton, mezzo-soprano
Thelma Altman, mezzo-soprano
Salvatore Cottone, piano
Maria Callas, soprano
Tito Gobbi, baritone
Arturo la Porta, bass-baritone
Tommaso Frascati,
Leonardo Monreale,
Lidia Grandi,
Silvana Celli,
Santa Chissari,
Andrea Mineo,
Lily Pons, soprano
John Engelman, percussion
Yordy Ramiro, tenor
Indra Thomas, soprano
Kristine Jepson, mezzo-soprano
Matthew Polenzani, tenor
Mariusz Kwiecien, baritone
Mario Sammarco, baritone
Jean Rigby, contralto
Louis Quilico, baritone
Bidu Sayao, soprano
Jose Van Dam, baritone
Dinah Bryant, soprano
Jerome Pruett, tenor
Jeanne Gordon, contralto
Jussi Bjorling, tenor
Alain Trudel, sackbut
Eduard Tumagian, baritone
Leo Slezak, tenor
Cornelia Ptassek, soprano
Edna Thornton, contralto
Teruhiko Komori, baritone
Giovanni Paltrinieri, tenor
Luba Orgonasova, soprano
Marion Talley, soprano
Allan Monk, baritone
Annamaria Popescu, mezzo-soprano
Recording date: 28 December 1935
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Rigoletto: Un di, se ben rammentomi - 6:02
La clemenza di Tito, K. 621 (more info)
Performed by:
Latvian National Symphony Orchestra
London Symphony Orchestra
Capella Istropolitana
Freiburg Baroque Orchestra
Royal Philharmonic Orchestra
Studio orchestra
Cologne West German Radio Orchestra
Composed by:
Wolfgang Amadeus Mozart
Conducted by:
Gottfried von der Goltz
Eduardo Pedrazzoli
Johannes Wildner
Charles Rosekrans
Joseph Keilberth
Alexandrs Vilumanis
Elina Garanca, soprano
John Dickie, tenor
Ernestine Schumann-Heink, contralto
Ira Malaniuk, soprano
Peter Offermanns,
Nicolai Gedda, tenor
Sandrine Piau, soprano
Hilde Zadek, soprano
Kristine Jepson, mezzo-soprano
Gerhard Groschel, bass
Rolf Henniger, narrator
Ilse Wallenstein, soprano
Lois Marshall, mezzo-soprano
Recording date: 16-20 December 1989
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La Clemenza di Tito: Parto, parto - 7:07
Faust (more info)
Performed by:
Victor Orchestra
Vienna Philharmonic Orchestra
Canadian Opera Company Orchestra
Laval Symphony Orchestra
Stockholm Symphony Orchestra
New Symphony Orchestra
Munich Radio Orchestra
New York Metropolitan Opera Orchestra
Helsinki Philharmonic Orchestra
Trois-Rivieres Symphony Orchestra
Tampere Philharmonic Orchestra
Georg Szell Orchestra
Berlin City Opera Orchestra
London Philharmonic Orchestra
Danish Radio Sinfonietta
Quebec Symphony Orchestra
Eugene Goossens Orchestra
Philharmonia Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Studio orchestra
Paris Opera Orchestra
Sofia Philharmonic Orchestra
Russian Philharmonia
Russia Philharmonia
Metropolitan Orchestra
Cologne West German Radio Orchestra
Sofia Symphony Orchestra
Composed by:
Eugene Goossens
Emil Tabakov
Lawrence Tibbett
Enrico Caruso
Alfred Newman
Charles-Francois Gounod
Henri Busser
Conducted by:
Josef A. Pasternack
Julius Rudel
Eri Klas
Gilles Bellemare
Felix Prohaska
Walter B. Rogers
Simon Streatfeild
Selmar Meyrowitz
Jacques Lacombe
Fausto Cleva
Nils Grevillius
Ondrej Lenard
Alexander Rahbari
Charles Rosekrans
Richard Bradshaw
Thomas Beecham
Helmut Froschauer
Constantine Orbelian
David Parry
Mikko Franck
Eugune Kohn
Michail Angelov
Manon Feubel, soprano
Andreas Post, tenor
Wilfrid Pelletier, narrator
John McCormack, tenor
Nellie Melba, soprano
Antonio Scotti, baritone
Dorothy Kirsten, soprano
Alexandrina Pendatchanska, soprano
Etienne Dupuis, baritone
Maria Cebotari, soprano
Michael Bohnen, baritone
Hao Jiang Tian, bass
Georges Nore, tenor
Roger Rico, baritone
Roger Bourdin, baritone
Beniamino Gigli, tenor
Feodor Chaliapin, bass
Elisabeth Schumann, soprano
Leonard Warren, baritone
Tommi Hakala, baritone
Marcel Journet, bass
Richard Crooks, tenor
Peter Dvorsky, tenor
Thomas Allen, baritone
Samuel Ramey, bass
Landon Ronald, piano
Richard Bonelli, baritone
Maria Zamboni, soprano
Michael Cozette, baritone
Dmitri Hvorostovsky, baritone
Helen Jepson, soprano
George Szell,
Brett Polegato, baritone
Thelma Votipka, mezzo-soprano
Franz Hawlata, bass
Ezio Pinza, bass
Lyne Fortin, soprano
Indra Thomas, soprano
Matthew Polenzani, tenor
Valerian Ruminski, bass
Mario Sammarco, baritone
Soile Isokoski, soprano
Olga Guryakova, soprano
Jussi Bjorling, tenor
Earl Covert, vocals
Zaruhi Elmassion, vocals
Renata Tebaldi, soprano
Alain Trudel, sackbut
Tatjana Dravenau, piano
Diana Montague, mezzo-soprano
Anne Bollinger, soprano
Cesare Siepi, bass
Frank Guarrera, baritone
Lawrence Davidson, baritone
Michele Pertusi, bass-baritone
Richard Margison, tenor
Garden Farara, soprano
Gabrielle Gilibert, mezzo-soprano
Geraldine Farrar, soprano
Inga Nielsen, soprano
Gretan Laperriere, baritone
Recording date: November 1947 - June 1948
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Faust: Quel trouble inconnu me penetre? - 6:18
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Faust: Alerte, alerte! - 2:58
La boheme (more info)
Performed by:
Victor Orchestra
Hollywood Bowl Symphony Orchestra
Laval Symphony Orchestra
Royal Opera House Orchestra, Covent Garden
Stockholm Symphony Orchestra
RCA Victor Orchestra
Belgian Radio and Television Philharmonic Orchestra
New York Metropolitan Opera Orchestra
Helsinki Philharmonic Orchestra
Frankfurt Brandenburg State Orchestra
Berlin City Opera Orchestra
London Philharmonic Orchestra
Berlin Symphony Orchestra
Montreal Opera Orchestra
CSR Symphony Orchestra, Bratislava
Eugene Goossens Orchestra
Leipzig Radio Symphony Orchestra
Philharmonia Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Berlin Staatskapelle
Berlin State Opera Orchestra
San Francisco Opera Orchestra
San Francisco Symphony Orchestra
Milan La Scala Orchestra
Dresden Staatskapelle
Berlin Deutsche Opera Orchestra
Studio orchestra
Santa Cecilia Academy Orchestra, Rome
Russian Philharmonia
Metropolitan Orchestra
Composed by:
Eugene Goossens
Cesare Sodero
Enrico Caruso
Giacomo Puccini
Conducted by:
Will Humburg
Gaetano Merola
Gerhard Steeger
Rudolf Kempe
Alberto Erede
Victor Trucco
Izler Solomon
Giuseppe Antonicelli
Walter Goehr
Walter B. Rogers
Rosario Bourdon
Umberto Berrettoni
Renato Cellini
Fritz Zweig
Frieder Weissmann
Jacques Lacombe
Nils Grevillius
Michael Halasz
Alexander Rahbari
Robert Heger
Tullio Serafin
Joseph Rescigno
Charles Rosekrans
Antonino Votto
Thomas Beecham
Heribert Beissel
Vincenzo Bellezza
Hans Schmidt-Isserstedt
Constantine Orbelian
David Parry
Mikko Franck
Gerhard Wiesenhutter
Eugene Szenkar
Manon Feubel, soprano
John McCormack, tenor
Nellie Melba, soprano
Anna-Lisa Bjorling, soprano
Antoine Belanger, tenor
Etienne Dupuis, baritone
Gianna Corbisiero, soprano
Maria Cebotari, soprano
Lisa Otto, soprano
Dennis O'Neill, tenor
Pia Tassinari, mezzo-soprano
Licia Albanese, soprano
Beniamino Gigli, tenor
Tatiana Menotti, mezzo-soprano
Afro Poli, baritone
Feodor Chaliapin, bass
Leonard Warren, baritone
Erna Berger, soprano
Giuseppe Di Stefano, tenor
Maria Caniglia, soprano
Lucrezia Bori, soprano
Aurora Rettore, soprano
Robert Easton, bass
Titta Ruffo, baritone
Hilde Gueden, soprano
Tito Schipa, tenor
Landon Ronald, piano
Miriam Gauci, soprano
Hjordis Schymberg, soprano
Carlo Forti, bass
Fabio Previati, baritone
Carmen Gonzales, soprano
Ivan Urbas, bass
Boaz Senator, baritone
Maria Zamboni, soprano
Grace Moore, soprano
Thomas Harper, tenor
Nicola Moscona, bass
George Cehanovsky, baritone
Giuseppe de Luca, baritone
Giacinto Prandelli, tenor
Giovanni Inghilleri, baritone
Fernando Corena, baritone
Piero De Palma, tenor
Melchiorre Luise, bass
Ildebrando Santafe, bass
Patrice Munsel, soprano
Alan Opie, baritone
Joseph Schmidt, tenor
Galina Gorchakova,
Yannick Nezet-Seguin,
Marc Hervieux, tenor
Nicola Zaccaria, bass
Franco Ricciardi,
William Dazeley, baritone
Andrew Shore, bass
Robert Merrill, baritone
Dora Labbette,
Stella Andreva,
Robert Alva,
John Reardon, baritone
Giorgio Tozzi,
Lucine Amara,
William Nahr,
Thomas Powell,
George del Monte,
Stanislav Benacka, bass
Jiri Sulzenko, bass
Richard Novak, bass
Ladislav Hallon, tenor
Elfriede Trotschel, soprano
Victoria de los Angeles, soprano
Marie McLaughlin, soprano
Maria Callas, soprano
Rolando Panerai, baritone
Heddle Nash, tenor
Browning Mummery, tenor
Frederic Collier, bass
Edouard Cotreuil, bass
Valerian Ruminski, bass
Mario Sammarco, baritone
Diana Soviero, soprano
Edward Johnson, tenor
Bidu Sayao, soprano
Soile Isokoski, soprano
Olga Guryakova, soprano
Carmen Dragon,
Raffaele Arie, bass
Jussi Bjorling, tenor
Cynthia Haymon, soprano
Alastair Miles, bass
Renata Tebaldi, soprano
Manuel Spatafora, baritone
Carlo Badioli, bass
Anna Moffo, soprano
Eraldo Coda, bass
Alain Trudel, sackbut
Jonathon Welch, tenor
Agnieszka Piass, soprano
John Brownlee, baritone
Geraldine Farrar, soprano
Luba Orgonasova, soprano
Dorothy Warenskjold, soprano
Marianne Fiset, soprano
Recording date: 12 December 1942
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La Boheme: Vecchia zimarra - 1:58
Don Giovanni, K. 527 (more info)
Performed by:
Canadian Opera Company Orchestra
CBC Montreal Orchestra
Nicolaus Esterhazy Sinfonia
RTBF Symphony Orchestra
London Symphony Orchestra
New York Metropolitan Opera Orchestra
Estonian State Symphony Orchestra
Trois-Rivieres Symphony Orchestra
Capella Istropolitana
Calgary Philharmonic Orchestra
London Philharmonic Orchestra
Berlin Symphony Orchestra
Glyndebourne Festival Orchestra
Toronto Symphony Orchestra
Philharmonia Orchestra
Royal Philharmonic Orchestra
Vienna Mozart Orchestra
Wurttemberg Philharmonic Orchestra
San Francisco Symphony Orchestra
Studio orchestra
Grande Ecurie et la Chambre du Roy, La
Galicia Symphony Orchestra
Metropolitan Orchestra
Mannheim National Theatre Orchestra
Bulgarian National Radio Symphony Orchestra
Composed by:
Wolfgang Amadeus Mozart
Conducted by:
Edward Gardner
Lodovico Zocche
Eri Klas
Lawrance Collingwood
Gaetano Merola
Jean-Marie Beaudet
Gilles Bellemare
Victor Pablo Perez
Marcus Creed
Fritz Reiner
John Barbirolli
Walter B. Rogers
Fritz Busch
Umberto Berrettoni
Eduardo Pedrazzoli
Mario Bernardi
John Pritchard
Jean-Claude Malgoire
Michael Halasz
Konrad Leitner
Bruno Walter
Johannes Wildner
Ronald Zollman
Charles Rosekrans
Richard Bradshaw
George W. Byng
David Parry
Gareth Hancock
Frederic Chaslin
John Landor
Gary Relyea, bass-baritone
Patrick Donnelly, baritone
Dominique Labelle, soprano
Liesel Fedkenheuer, mezzo-soprano
Krisztina Szabo, mezzo-soprano
John McCormack, tenor
Salvatore Baccaloni, bass
Pascale Beaudin, soprano
Aaron St. Clair Nicholson, baritone
Ina Souez, soprano
Luise Helletsgruber, soprano
Audrey Mildmay, soprano
Beniamino Gigli, tenor
Feodor Chaliapin, bass
Frida Leider, soprano
Richard Tauber, tenor
Elisabeth Schumann, soprano
Alexander Kipnis, bass
Adrianne Pieczonka, soprano
John Dickie, tenor
Koloman von Pataky, tenor
David Franklin, bass
Roy Henderson, baritone
Renato Girolami, bass
Torsten Kerl, tenor
Regina Schorg, soprano
Bo Skovhus, baritone
Ildiko Raimondi, soprano
Janusz Monarcha, bass
Thomas Allen, baritone
Ruth Ziesak, soprano
Maria Bayo, soprano
Charles Kullman, tenor
Elisabeth Schwarzkopf, soprano
Boaz Daniel, bass
Dmitri Hvorostovsky, baritone
Nicolas Rivenq, baritone
Rose Bampton, soprano
Hubert Claessens, bass
Dino Fedri,
Lado Ataneli, baritone
Sophie Marin-Degor, soprano
Jorma Hynninen, baritone
Michael Colvin, tenor
Andrea Martin, baritone
Tito Gobbi, baritone
Veronique Gens, soprano
Lucy Crowe, soprano
Simon Edwards, tenor
Jarmila Novotna, soprano
Ezio Pinza, bass
Gerald Finley, baritone
Kristine Jepson, mezzo-soprano
Mariusz Kwiecien, baritone
Donna Robin, soprano
Leopold Simoneau, tenor
Bidu Sayao, soprano
Michael Schade, tenor
Jose Van Dam, baritone
Ljuba Welitsch, soprano
Alain Trudel, sackbut
Cornelia Ptassek, soprano
Isabel Bayrakdarian, soprano
John Brownlee, baritone
Alain Coulombe, bass
Danielle Borst, soprano
Dorothy Warenskjold, soprano
Edward Pleasant, baritone
Allan Monk, baritone
Gretan Laperriere, baritone
Russell Braun, baritone
Lois Marshall, mezzo-soprano
Recording date: 12 May 1939
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Don Giovanni: La ci darem la mano - 3:38
Don Carlo (more info)
Performed by:
Victor Orchestra
Canadian Opera Company Orchestra
RCA Victor Orchestra
Belgian Radio and Television Philharmonic Orchestra
London Symphony Orchestra
Trois-Rivieres Symphony Orchestra
Tampere Philharmonic Orchestra
Metropolitan Opera Orchestra
Rome Opera Orchestra
Hungarian State Opera Orchestra
Philharmonia Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Royal Swedish Opera Orchestra
Berlin State Opera Orchestra
Milan La Scala Orchestra
Studio orchestra
Composed by:
Enrico Caruso
Giuseppe Verdi
Conducted by:
Gabriele Santini
Eri Klas
Lawrance Collingwood
Gilles Bellemare
Carlo Sabajno
Lorenzo Molajoli
Renato Cellini
Nicolas Braithwaite
Frieder Weissmann
Fausto Cleva
Oliver Dohnanyi
Michael Halasz
Pier Giorgio Morandi
Alexander Rahbari
Charles Rosekrans
Richard Bradshaw
Alberto Hold-Garrido
David Parry
Ivan Anguelov
Antonio Scotti, baritone
Plinio Clabassi, bass
Mattia Battistini, tenor
Hao Jiang Tian, bass
Feodor Chaliapin, bass
Frida Leider, soprano
Tommi Hakala, baritone
Marian Anderson, contralto
Thomas Allen, baritone
Nazzareno de Angelis, bass
Giacomo Aragall, tenor
Miriam Gauci, soprano
Jaakko Ryhanen, bass
Ingrid Tobiasson, mezzo-soprano
Thomas Harper, tenor
Marian Vach, choirmaster
Antonietta Stella,
Philip Tebb, bass
Orietta Moscucci,
Elena Nicolai,
Loretta Di Lelio,
Marina Mescheriakova, soprano
Robert Merrill, baritone
Lado Ataneli, baritone
Lars Cleveman, tenor
Peter Mattei, baritone
Bengt Rundgren, bass
Hillevi Martinpelto, soprano
Iwa Sorenson, soprano
Klas Hedlund, tenor
Martti Wallen, bass
Hilde Leidland, soprano
Tito Gobbi, baritone
Giulio Neri, bass
Blanche Thebom, mezzo-soprano
Boris Christoff, bass
Emil Markow, bass
Ezio Pinza, bass
Gwyn Hughes Jones, tenor
Mariusz Kwiecien, baritone
Meta Seinemeyer, soprano
Jussi Bjorling, tenor
Mario Filippeschi, tenor
Paolo Caroli, tenor
Eduard Tumagian, baritone
Richard Margison, tenor
James Westman, baritone
Gretan Laperriere, baritone
Recording date: April 1925
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Don Carlo: Son io, mio Carlo - 5:23
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Don Carlo: O Carlo, ascolta, la madre t'aspetta - 3:47
Les contes d'Hoffmann (The Tales of Hoffmann) (more info)
Performed by:
Munich Radio Orchestra
BBC Philharmonic Orchestra
New York Metropolitan Opera Orchestra
Calgary Philharmonic Orchestra
Quebec Symphony Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Berlin State Opera Orchestra
Studio orchestra
Paris Opera-Comique Orchestra
Cologne West German Radio Orchestra
Composed by:
Lawrence Tibbett
Jacques Offenbach
Conducted by:
Julius Rudel
Yan Pascal Tortelier
Franz Schonbaumsfeld
Rosario Bourdon
Mario Bernardi
Simon Streatfeild
Keith Clark
Ondrej Lenard
Pinchas Steinberg
Charles Rosekrans
Andre Cluytens
Maurice Abravanel
Miliza Korjus, soprano
Joseph Schwarz, tenor
Rene Maison, tenor
Vina Bovy, soprano
Angelo Bada, tenor
Francis Lapitino, harp
Samuel Ramey, bass
Fanely Revoil, mezzo-soprano
Renee Doria, soprano
Raoul Jobin, tenor
Elizabeth Steiner, mezzo-soprano
Lyne Fortin, soprano
Indra Thomas, soprano
Kristine Jepson, mezzo-soprano
Elisabeth Werres, soprano
Richard Margison, tenor
Tracy Dahl, soprano
Marion Talley, soprano
Allan Monk, baritone
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Les Contes D'Hoffmann: Barcarolle - 4:00
Orlando, HWV 31 (more info)
Performed by:
Moscow Chamber Orchestra
Royal Philharmonic Orchestra
Handel Festival Orchestra
Composed by:
George Frideric Handel
Conducted by:
Wolfgang Katschner
Christophe Rousset
Charles Rosekrans
Howard Arman
Alexander Weimann, harpsichord
Sara Mingardo,
Lorenzo Regazzo, bass
Constantine Orbelian, piano
Sandrine Piau, soprano
Ewa Podles, contralto
Valerian Ruminski, bass
Axel Kohler, counter-tenor
Lutz Gabler, violin
Petra Hiltawsky, horn
Gunter Strobelt, oboe
Frank Benkendorf, bassoon
Rinaldo Alessandrini, harpsichord
Recording date: August 2001
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Orlando: Sorge infausta una procella - 4:32
The Tempest, Z. 631, "The Enchanted Island" (more info)
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The Tempest: Arise, arise ye subterranean winds - 3:03
Il trovatore (more info)
Performed by:
Polish National Opera Orchestra
Victor Orchestra
Canadian Opera Company Orchestra
Laval Symphony Orchestra
Vienna State Opera Orchestra
Ukrainian National Opera Symphony Orchestra
Stockholm Symphony Orchestra
RCA Victor Orchestra
Estonian State Symphony Orchestra
Edmonton Symphony Orchestra
London Philharmonic Orchestra
Catania Teatro Massimo Bellini Orchestra
Rome Opera Orchestra
Nils Grevillius Orchestra
Hungarian State Opera Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Milan La Scala Orchestra
Dresden Staatskapelle
Studio orchestra
Russia Philharmonia
Composed by:
Lawrence Tibbett
Enrico Caruso
Giuseppe Verdi
Conducted by:
Jacek Kaspszyk
Herbert von Karajan
Eri Klas
Will Humburg
Clemens Schmalstich
Giulio Setti
Steven Mercurio
Lorenzo Molajoli
Walter Goehr
Umberto Berrettoni
Renato Cellini
Mario Bernardi
Jacques Lacombe
Oliver Dohnanyi
Nils Grevillius
Michael Halasz
Alexander Rahbari
Johannes Wildner
Uri Mayer
Karl Alwin
Charles Rosekrans
Richard Bradshaw
Vincenzo Bellezza
Constantine Orbelian
David Parry
Kurt Striegler
Ivan Anguelov
Manon Feubel, soprano
Sondra Radvanovsky, soprano
Louise Homer, contralto
Beata Ulas, soprano
Agnieszka Wolna, alto
Maria Nemeth, soprano
Joseph Schwarz, tenor
Renato Ercolani, tenor
Luisa Villa, mezzo-soprano
Dennis O'Neill, tenor
Clive Bayley, bass-baritone
Beniamino Gigli, tenor
Frida Leider, soprano
Richard Tauber, tenor
Leonard Warren, baritone
Nathaniel Sprinzena, tenor
Giuseppe Di Stefano, tenor
Sharon Sweet, soprano
Bianca Scacciati, soprano
Enrico Molinari, tenor
Giuseppina Zinetti, soprano
Francesco Merli, tenor
Frances Alda, soprano
Ernestine Schumann-Heink, contralto
Fedora Barbieri, mezzo-soprano
Riccardo Stracciari, baritone
Giovanni Martinelli, tenor
Maurizio Frusoni, tenor
Zsuzsa Csonka, soprano
Franco de Grandis, bass
Richard Bonelli, baritone
Irina Tchistjakova, mezzo-soprano
Thomas Harper, tenor
Hans Hopf, tenor
Zinka Milanov, soprano
Nicola Moscona, bass
Margaret Roggero, mezzo-soprano
Paul Franke, tenor
George Cehanovsky, baritone
Dmitri Hvorostovsky, baritone
Alan Opie, baritone
Yaroslava Poberezhna, soprano
Ruslan Tansky, tenor
Joseph Schmidt, tenor
Marian Vach, choirmaster
Nicola Zaccaria, bass
Mark Le Brocq, tenor
Robert Merrill, baritone
Lado Ataneli, baritone
Sandor Pasztor, bass
Janos Tandari, tenor
Daniela Longhi, soprano
Jorma Hynninen, baritone
Marcello Giordani, tenor
Maria Callas, soprano
Rolando Panerai, baritone
Franco Calabrese, bass
Max Saal,
Jozsef Mukk, tenor
Giulio Mauri,
Alexander Vinogradov, bass
Hui He, soprano
Marina Domashenko, mezzo-soprano
Rosa Ponselle, soprano
Indra Thomas, soprano
Louis Quilico, baritone
Roberto Servile, baritone
Jussi Bjorling, tenor
Renata Tebaldi, soprano
Eduard Tumagian, baritone
Richard Margison, tenor
Cloe Elmo, mezzo-soprano
Austin Miskell, tenor
Elsa Gutierrez, contralto
Arnaldo Garcia, piano
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Il Trovatore: Vanne... D'amor sull'ali rosee - 6:42
Les pecheurs de perles (The Pearl Fishers) (more info)
Performed by:
Victor Orchestra
Canadian Opera Company Orchestra
Milan Symphony Orchestra
Rosario Bourdon Orchestra
RCA Victor Orchestra
Berlin Radio Symphony Orchestra
Trois-Rivieres Symphony Orchestra
Toronto Symphony Orchestra
Eugene Goossens Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Berlin State Opera Orchestra
Metropolitan Orchestra
Composed by:
Eugene Goossens
Enrico Caruso
Georges Bizet
Conducted by:
Josef A. Pasternack
Argeo Quadri
Gilles Bellemare
Rosario Bourdon
Renato Cellini
Johannes Wildner
Charles Rosekrans
Richard Bradshaw
Leo Blech
Hanns-Martin Schneidt
Rina Gigli, soprano
Phillip Addis, baritone
Igor Morozov, baritone
Beniamino Gigli, tenor
Erna Berger, soprano
Robert Merrill, baritone
Janez Lotric, tenor
Bruno Lazzaretti,
Matthew Polenzani, tenor
Mariusz Kwiecien, baritone
Michael Schade, tenor
Jussi Bjorling, tenor
Alain Trudel, sackbut
Gretan Laperriere, baritone
Russell Braun, baritone
Recording date: 4 July 1931
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Les Pecheurs de Perles: Au fond du temple saint - 5:51
Ariadne auf Naxos, Op. 60, TrV 228a (more info)
Performed by:
Vienna Philharmonic Orchestra
Munich Radio Orchestra
Calgary Philharmonic Orchestra
Philharmonia Orchestra
Royal Philharmonic Orchestra
Cologne Radio Symphony Orchestra
Composed by:
Richard Strauss
Conducted by:
Herbert von Karajan
Mario Bernardi
Manfred Honeck
Charles Rosekrans
Joseph Keilberth
Heinrich Hollreiser
Maria Cebotari, soprano
Rita Streich, soprano
Irmgard Seefried, soprano
Alfred Neugebauer, narrator
Karl Donch, baritone
Hugues Cuenod, tenor
Erich Strauss, baritone
Lisa Otto, soprano
Grace Hoffman, contralto
Fritz Ollendorff, bass
Helmut Krebs, tenor
Frida Leider, soprano
Alfred Poell, baritone
Hugo von Hofmannsthal,
Hans Hopf, tenor
Gerhard Unger, tenor
Elisabeth Schwarzkopf, soprano
Peter Offermanns,
Alfred Pfeifle, tenor
Rudolf Schock, tenor
Hilde Zadek, soprano
Kristine Jepson, mezzo-soprano
Maria von Ilosvay, contralto
Anny Felbermayer, soprano
Lisa Della Casa, soprano
Hermann Prey, bass-baritone
Walter Jenckel, tenor
Michele Crider, soprano
Sena Jurinac, soprano
Ferdinand Schnelle, tenor
Eduard Marks, narrator
Otakar Kraus, baritone
Kathe Moller-Siepermann, soprano
Heiner Horn, bass
Werner Engelhardt, bass
Gerda Sommerschuh, soprano
Horst Gunter, baritone
Tracy Dahl, soprano
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Ariadne auf Naxos: Seien wir wieder gut! - 2:45
Gianni Schicchi (more info)
Performed by:
Vienna Philharmonic Orchestra
Belgian Radio and Television Philharmonic Orchestra
Malaga Philharmonic Orchestra
Opera North Orchestra
Prague Philharmonia
Philharmonia Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
San Francisco Opera Orchestra
San Francisco Symphony Orchestra
Milan La Scala Orchestra
Russian Philharmonia
Metropolitan Orchestra
Composed by:
Giacomo Puccini
Conducted by:
Herbert von Karajan
Arthur Fiedler
Will Humburg
Gaetano Merola
Steven Mercurio
Alexander Rahbari
Tullio Serafin
Johannes Wildner
Charles Rosekrans
Antonino Votto
Constantine Orbelian
David Parry
Gareth Hancock
Anna-Lisa Bjorling, soprano
Giuseppe Di Stefano, tenor
Miriam Gauci, soprano
Elisabeth Schwarzkopf, soprano
Felipe Bou, bass
Jose Garcia-Quijada, baritone
Galina Gorchakova,
Mary Plazas, soprano
Ana Maria Martinez, soprano
Colin Lee, tenor
Janez Lotric, tenor
Alberto Rinaldi, baritone
Tatiana Lisnic, soprano
Mabel Perelstein, contralto
Stefano Secco, tenor
Gerardo Lopez Gamez, tenor
Sara Galli, soprano
Celestino Varela, baritone
Carlos Ruiz, bass
Claudia Marchi, mezzo-soprano
Javier Zorilla, baritone
Antonio Torres Merino, bass
Maria Callas, soprano
Matthew Polenzani, tenor
Dennis Helmrich, piano
Eugenia Zukerman, flute
Alain Trudel, sackbut
Elisabeth Schwarkopf, soprano
Luba Orgonasova, soprano
Dorothy Warenskjold, soprano
Marianne Fiset, soprano
Joan Hammond, soprano
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Gianni Schicchi: Avete torto! - 3:30
I puritani (more info)
Performed by:
Canadian Opera Company Orchestra
Catania Teatro Massimo Bellini Orchestra
Royal Philharmonic Orchestra
Slovak Radio Symphony Orchestra
Milan La Scala Orchestra
Studio orchestra
Sofia Philharmonic Orchestra
RAI Symphony Orchestra, Milan
Composed by:
Emil Tabakov
Vincenzo Bellini
Conducted by:
Richard Bonynge
Will Humburg
Tullio Serafin
Charles Rosekrans
Richard Bradshaw
Alfredo Simonetto
Franco Federici, bass
Mercedes Capsir, soprano
Giuseppe Di Stefano, tenor
Lina Pagliughi, soprano
Carlo Forti, bass
Mariella Devia, soprano
Vittore Veneziani, choirmaster
Maria Callas, soprano
Rolando Panerai, baritone
Nicola Rossi-Lemeni, bass
Angelo Mercuriali, tenor
Aurora Cattelani, soprano
Christopher Robertson,
William Matteuzzi, tenor
Mariusz Kwiecien, baritone
Valerian Ruminski, bass
Louis Quilico, baritone
Michael Schade, tenor
Carlos Alvarez, baritone
Eleonora Jankovic, mezzo-soprano
Michele Pertusi, bass-baritone
Luba Orgonasova, soprano
Paolo Washington, bass
Russell Braun, baritone
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I Puritani: Suoni la tromba - 3:35