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Agnus Dei, Op. 11 (more info)
Composed by: Samuel Barber
Conducted by: Douglas Lawrence Maris Sirmais Donald Pearson Laurence Equilbey
Eric Plutz, organ
Jean Cioffi, soprano


1.   Agnus Dei, Op. 11 - 00:07:11


Schwanengesang, D. 957 (arr. A. Gastinel) (more info)
Composed by: Franz Schubert
Claire Desert, piano
Anne Gastinel, cello


2.   Schwanengesang, D. 957: No. 4. Standchen (arr. A. Gastinel) - 00:03:53


Nisi Dominus, RV 608 (more info)
Performed by: Grande Ecurie et la Chambre du Roy, La
Composed by: Antonio Vivaldi
Conducted by: Jean-Claude Malgoire Jean-Christophe Spinosi
Sara Mingardo,
James Bowman, alto
Philippe Jaroussky, contralto
Rinaldo Alessandrini, harpsichord


3.   Nisi Dominus, RV 608: Cum dederit - 00:04:40


Lamento della ninfa (more info)
Composed by: Claudio Monteverdi
Rinaldo Alessandrini, harpsichord


4.   Lamento della ninfa, 2a parte - Amor, dicea - 00:02:43


Mass in B minor, BWV 232 (more info)
Performed by: Musiciens du Louvre, Les London Philharmonic Orchestra Academy of St. Martin in the Fields Orchestra
Composed by: Johann Sebastian Bach Neville Marriner
Conducted by: Adrian Boult Daniel Taylor Marc Minkowski
Susie Napper, baroque cello
Kathleen Ferrier, contralto
Regent Poirier, organ
Bruce Haynes,
Christine Moran,
Pierre Cartier,
Scott Metcalfe,
Helene Plouffe, violin
Nathalie Stutzmann, alto
Michael Dobson, oboe d'amore
Basil Lam, harpsichord
Jochen Kowalski, counter-tenor


5.   Mass in B minor, BWV 232: Agnus Dei - 00:06:29


Juditha triumphans devicta Holofernes barbarie, RV 644 (more info)
Performed by: Academia Montis Regalis
Composed by: Antonio Vivaldi
Conducted by: Alessandro de Marchi
Magdalena Kolena, mezzo-soprano
Anke Hermann, soprano
Marina Comparato,
Anke Herrmann, soprano
Magdalena Kozena, mezzo-soprano
Maria Jose Trullu, alto
Tiziana Carraro, mezzo-soprano


6.   Juditha triumphans devicta Holofernes barbarie, RV 644, Part I: Aria: Veni, veni, me sequere - 00:07:18


Die Zauberflote (The Magic Flute), K. 620 (more info)
Performed by: Vienna Philharmonic Orchestra Canadian Opera Company Orchestra Berlin Philharmonic Orchestra Budapest Failoni Chamber Orchestra Berlin Radio Symphony Orchestra New York Metropolitan Opera Orchestra Capella Istropolitana Berlin Symphony Orchestra Freiburg Baroque Orchestra Leipzig Radio Symphony Orchestra Philharmonia Orchestra Slovak Radio Symphony Orchestra Vienna Mozart Orchestra Failoni Orchestra, Budapest Berlin State Opera Orchestra Dresden Staatskapelle Studio orchestra Stuttgart Radio Symphony Orchestra Stuttgart State Orchestra Cologne Radio Symphony Orchestra Linz Bruckner Orchestra Mannheim National Theatre Orchestra St. Petersburg Musical Theare Chamber Orchestra, Zazerkalye Bratislava Opera Orchestra
Composed by: Wolfgang Amadeus Mozart William Lawrence Arturo Toscanini
Conducted by: Marcus Creed Johannes Muller Rudolf Kempe Gottfried von der Goltz Selmar Meyrowitz Oliver Dohnanyi Peter Guth Michael Halasz Konrad Leitner Alexander Rahbari Johannes Wildner Carl Schuricht Joseph Keilberth Richard Bradshaw Lothar Zagrosek Thomas Beecham Bruno Seidler-Winkler David Parry Arthur Gruber Ivan Anguelov Gerhard Pfluger Frederic Chaslin Gerhard Wiesenhutter Pavel Bubelnikov
Miliza Korjus, soprano
Gottlob Frick, bass
Michael Bohnen, baritone
Werner Liebing, tenor
Lisa Otto, soprano
Arno Schellenberg, baritone
Richard Tauber, tenor
Elisabeth Schumann, soprano
Erna Berger, soprano
Erika Koth, soprano
Tiana Lemnitz, soprano
Alexander Kipnis, bass
John Dickie, tenor
Thomas Allen, baritone
Hellen Kwon, soprano
Ruth Ziesak, soprano
Miriam Gauci, soprano
Kurt Rydl, bass
Wilfried Gahmlich, tenor
Hans Hotter, bass-baritone
Erich Kunz, baritone
Joseph Schmidt, tenor
Kurt Marschner,
Elisabeth Norberg-Schulz, soprano
Annelies Kupper, soprano
Hanna Ludwig,
Elisabeth Lindermeier,
Lotte Leitner, soprano
Elfriede Trotschel, soprano
Susan Gritton, soprano
Herbert Lippert, tenor
Wilma Lipp,
Andrea Martin, baritone
Teresa Stich-Randall,
Josef Greindl, bass
Rudolf Schock, tenor
Gerhard Husch, baritone
Jarmila Novotna, soprano
Sandrine Piau, soprano
Karl Paul, bass
Donna Robin, soprano
Helge Rosvaenge, tenor
Michael Schade, tenor
Georg Tichy, baritone
Cornelia Ptassek, soprano
Peter Esser, tenor
Horst Otto Rainer, tenor
Kurt Lieck, narrator
Kathe Moller-Siepermann, soprano
Hilla Oppel, soprano
Gisela Litz, alto
Kristina Sert, soprano
Wilhelm Luckert, tenor
Walter Kreppel, bass
Hermann Thimig, narrator
Isabel Bayrakdarian, soprano
Fritz Wunderlich, tenor
Elisabeth Norberg Schultz, mezzo-soprano
Ruby Elzy, soprano
Elena Morozava, soprano
Katarina Kmetova, soprano
Russell Braun, baritone
Recording date: 8 March 1938


7.   Die Zauberflote (The Magic Flute), K. 620, Act II: Arie: Ach, ich fuhl's, es ist verschwunden - 00:04:36


A Chloris (more info)
Composed by: Reynaldo Hahn Theophile de Viau
Marie-Nicole Lemieux, contralto
Vinson Cole, tenor
Patrick Stephens, piano
Daniel Blumenthal, piano


8.   A Chloris - 00:02:48


Stabat mater (more info)
Performed by: Danish National Radio Symphony Orchestra Budapest Camerata
Composed by: Giovanni Battista Pergolesi
Conducted by: Lamberto Gardelli Michael Halasz
Anna Gonda, alto
Sara Mingardo,
Julia Faulkner, soprano
Gemma Bertagnolli, soprano
Inga Nielsen, soprano
Rinaldo Alessandrini, harpsichord


9.   Stabat mater: Stabat mater dolorosa - 00:05:10


Il salmo Miserere mei Deus (arr. J. Lionnet) (more info)
Composed by: Gregorio Allegri
Conducted by: Bernard Fabre-Garrus
Jean Lionnet,


10.   Il salmo Miserere mei Deus (arr. J. Lionnet) - 00:15:12

Reviews

Not what I thought... (Mar 16, 2010)
Reviewer:Cbriley
If you are going to name an album "The 10 Greatest Classical Emotions" then the music should live up to that title. While I feel that the music was chosen to evoke certain emotions, the artists' interpretations of these songs were somewhat bland. These selections could have produced some very moving experiences for the listener. Perhaps my lack of joy in the artist's voices was clouding my... If you are going to name an album "The 10 Greatest Classical Emotions" then the music should live up to that title. While I feel that the music was chosen to evoke certain emotions, the artists' interpretations of these songs were somewhat bland. These selections could have produced some very moving experiences for the listener. Perhaps my lack of joy in the artist's voices was clouding my vision--I've heard many of these pieces before and prefer those voices over these. I think that the voices on this disc are suited more for Early music and not "classical" music as the album/tracks suggests.

However, the choral group ACCENTUS never ceases to amaze me. Their rendition of Barber's Adagio is absolutely stunning. (read more)