FLAGELLO, NICOLAS (1928 - 1994)
Nicolas Flagello was one of the last American
composers to pursue traditional romantic musical
values, intensified by modernist innovations in
harmony and rhythm, but without the irony or
detachment of postmodernism. For him music was a
personal medium for...
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Nicolas Flagello was one of the last American
composers to pursue traditional romantic musical
values, intensified by modernist innovations in
harmony and rhythm, but without the irony or
detachment of postmodernism. For him music was a
personal medium for spiritual and emotional
expression, a view that was far from fashionable
during the years after 1945, when Flagello’s creative
personality was crystallizing, a time when
‘originality’ and ‘experimental’ techniques reigned
supreme. In such a milieu Flagello’s music gained
little attention. Yet he held fast to his ideals
throughout his life, producing a large and varied body
of work that included six operas, two symphonies,
eight concertos, and numerous orchestral, choral,
chamber, and vocal works, although much of it was
still unperformed at the time of his death, only in
recent decades to find an increasingly sympathetic
audience.
Flagello was born in New York City in 1928 into
a musical family. He studied both piano and violin as
a child, and began composing on his own before the
age of ten. He was soon brought to the attention of
Vittorio Giannini, a highly esteemed composer and
teacher known for his adherence to traditional
musical values. Giannini became Flagello’s mentor,
and the two developed a close professional and
personal friendship that lasted until the older man’s
death in 1966. In 1945 Flagello entered the
Manhattan School of Music, where Giannini served
on the faculty. Earning both his Bachelor’s (1949)
and Master’s (1950) Degrees there, he joined the
faculty himself upon graduating, and remained there
for more than 25 years, teaching for a time during the
1960s also at the Curtis Institute in Philadelphia.
Winning a Fulbright Fellowship in 1955, he took
leave to study for a year at the Accademia di Santa
Cecilia in Rome, working under the elderly
Ildebrando Pizzetti, and earning the Diploma di Studi
Superiori.
The first recordings of Flagello’s music in 1964
were well received by some critics. In 1974, his
oratorio The Passion of Martin Luther King was first
performed with great acclaim by the National
Symphony Orchestra at the Kennedy Center in
Washington, D.C., subsequently to be recorded, and
performed throughout the United States and Canada.
In 1982, his opera The Judgment of St Francis was
produced in Assisi. Flagello was also active as a
pianist and conductor, and made dozens of recordings
of a wide range of repertoire, from the Baroque to the
contemporary. In 1985 a degenerative illness brought
his musical career to an end prematurely. He died in
1994, at the age of 66.
During the years since his death, performances
and recordings of Flagello’s music have attracted the
attention of a new generation of listeners. Well known
performers, such as the violinist Midori, have been
championing his work, and recent recordings have
received critical acclaim.