Delibes was trained at the Paris Conservatoire, where he achieved
no particular distinction. His first major triumph came with the
ballet Coppélia, based on a story by E.T.A. Hoffmann and
staged at the Opéra in 1870. He excelled as a composer
of...
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Delibes was trained at the Paris Conservatoire, where he achieved
no particular distinction. His first major triumph came with the
ballet Coppélia, based on a story by E.T.A. Hoffmann and
staged at the Opéra in 1870. He excelled as a composer
of operetta, his career culminating in equally successful operas
of a more serious kind.
Ballets
Delibes won early success with Coppélia and its Hoffmann story of old Dr. Coppelius and his doll Coppélia, who seems to come to life. He followed this in 1876 with Sylvia, set in pagan Greece. The 1866 ballet La Source had given Delibes an earlier opportunity, in collaboration with the established composer Minkus.
Stage Works
In 1882 Delibes wrote a set of pastiche ancient airs and dances for Victor Hugo's play Le roi s'amuse, later to provide a subject for Verdi's opera Rigoletto. His opera Lakmé, dealing with the love of a British officer and the daughter of a Brahmin priest in mid-19th century India, provides the well known Bell Song for ambitious coloratura sopranos. The Flower Duet, popularised by its recent commercial use, remains singularly attractive. Delibes's last opera, Kassya, was orchestrated by Massenet after the composer's death.