Vocal Recital: Baird, Julianne - Purcell, H. / Arne, T.A. / Blow, J. (English Mad Songs and Ayres)

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O solitude, my sweetest choice, Z. 406 (more info)
Composed by: Henry Purcell
Alison Mackay, double bass
Julianne Baird, soprano
Paul Agnew, tenor
Anne-Marie Lasla,
Gerard Lesne, counter-tenor
Colin Tilney, harpsichord


1.   O solitude, my sweetest choice , Z. 406 - 00:03:57


The fatal hour comes on apace, Z. 421 (more info)
Composed by: Anonymous Henry Purcell
Elizabeth Kenny, lute
Alison Mackay, double bass
Julianne Baird, soprano
Paul Agnew, tenor
Gerard Lesne, counter-tenor
Colin Tilney, harpsichord


2.   The fatal hour comes on apace, Z. 421 - 00:03:30


Now that the sun hath veiled his light, Z. 193, "An Evening Hymn on a Ground" (more info)
Composed by: Henry Purcell
Conducted by: Daniel Taylor
Alison Mackay, double bass
Francis Colpron, recorder
Blandine Rannou, harpsichord
Julianne Baird, soprano
Paul Agnew, tenor
Karina Gauvin, soprano
Anne-Marie Lasla,
Gerard Lesne, counter-tenor
Colin Tilney, harpsichord


3.   Harmonia Sacra, Z. 193: An Evening Hymn - 00:03:47


With sick and famish'd eyes, Z. 200 (more info)
Composed by: Henry Purcell
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


4.   With sick and famish'd eyes, Z. 200 - 00:04:59


Fly, bold rebellion, Z. 324 (more info)
Composed by: Anonymous Henry Purcell
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


5.   Fly, bold rebellion, Z. 324: Be Welcome, Then, Great Sir - 00:03:09


Hark the echoing air (more info)
Composed by: Anonymous Henry Purcell
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


6.   Hark the echoing air - 00:02:20


Comus (more info)
Composed by: Thomas Augustine Arne
Alison Mackay, double bass
Richard Crooks, tenor
Julianne Baird, soprano
Frederick Schauwecker, piano
Colin Tilney, harpsichord


7.   Fame's an Echo - 00:02:46
8.   Not on Beds of Fading Flow'rs - 00:03:32


The Fall of Phaeton (more info)
Composed by: Thomas Augustine Arne
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


9.   The Fall of Phaeton: O Come, O Come my Dearest - 00:01:39


Judith (more info)
Composed by: Henry Purcell
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


10.   Judith: Sleep, gentle Cherub, Sleep descend - 00:02:45


From silent shades, and the Elysian groves, Z. 370, "Bess of Bedlam" (more info)
Composed by: Henry Purcell
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


11.   From silent shades, and the Elysian groves, Z. 370, 'Bess of Bedlam' - 00:03:57


A New Ground in E minor, Z. T682 (more info)
Composed by: Henry Purcell
Terence R. Charlston, harpsichord
Mario Hospach-Martini, organ
Colin Tilney, harpsichord


12.   A New Ground in E minor, Z. T682 - 00:02:29


Oedipus, King of Thebes, Z. 583 (more info)
Composed by: Henry Purcell
Conducted by: Daniel Taylor
Elizabeth Kenny, lute
Alison Mackay, double bass
Francis Colpron, recorder
Blandine Rannou, harpsichord
Julianne Baird, soprano
Paul Agnew, tenor
Karina Gauvin, soprano
Anne-Marie Lasla,
Shannon Mercer, soprano
Colin Tilney, harpsichord


13.   Oedipus, Z. 583: Music for a while - 00:03:05


Lysander, I pursue in vain (more info)
Composed by: Anonymous John Blow
Alison Mackay, double bass
Julianne Baird, soprano
Colin Tilney, harpsichord


14.   Lysander, I pursue in vain - 00:05:46

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