Romantic Choral Music

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Mass No. 5 in A flat major, D. 678 (more info)
Performed by: Vienna Academy Orchestra Oregon Bach Festival Orchestra Tapiola Sinfonietta Sofia Philharmonic Orchestra
Composed by: Franz Schubert James Taylor
Conducted by: Helmuth Rilling Martin Haselbock Georgi Robev
Bernhard Berchtold, tenor
Antoaneta Besparova, soprano
Peter Yanukov, bass
Roumyana Tsacheva, mezzo-soprano
Lyobmir Mihailov, tenor
Peter Schreier, tenor
Sandra Trattnigg, soprano
Juha Kotilainen, baritone
Monica Groop, mezzo-soprano
Soile Isokoski, soprano
Christian Hilz, bass
Marcus Ullmann, tenor
Donna Brown, soprano
Lucia Schwartz, alto
Michael Volle, bass


1.   Kyrie - 00:07:24
2.   Gloria: Gloria in excelsis Deo - 00:02:35
3.   Gloria: Gratias agimus tibi - 00:03:48
4.   Gloria: Domine Deus - 00:01:34
5.   Gloria: Quoniam tu solus sanctus - 00:00:56
6.   Gloria: Cum sancto spiritu - 00:04:13
7.   Credo - 00:02:11
8.   Credo: Et incarnatus est - 00:03:54
9.   Credo: Et resurrexit - 00:03:47
10.   Sanctus - 00:02:20
11.   Sanctus: Osanna - 00:00:42
12.   Sanctus: Benedictus - 00:03:39
13.   Sanctus: Osanna - 00:00:42
14.   Agnus Dei - 00:03:51
15.   Agnus Dei: Dona nobis pacem - 00:02:45


Psalm 42, Op. 42 (more info)
Performed by: Stuttgart Bach Collegium
Composed by: Felix Mendelssohn
Conducted by: Helmuth Rilling Joseph Flummerfelt
Christoph Genz, tenor
Nancienne Parrella, organ
Sibylla Rubens, soprano
Matthias Goerne, baritone
Scot Weir, tenor
Thomas Mehnert, bass


16.   Wie der Hirsch schreit (Chorus) - 00:06:38
17.   Aria: Meine Seele durstet nach Gott (Soprano) - 00:02:43
18.   Recitative: Meine Tranen sind (Soprano) - 00:00:40
19.   Denn ich wollte (Soprano, Chorus) - 00:02:28
20.   Was betrubst du dich, meine Seele (Chorus) - 00:02:02
21.   Recitative: Mein Gott, betrubt ist (Soprano) - 00:01:28
22.   Quintetto: Der Herr hat des Tages - 00:04:24
23.   Finale: Warum betrubst du dich (Chorus) - 00:04:39

Lazarus, oder Die Feier der Auferstehung, D. 689 (completed by E. Denisov) (more info)
Performed by: Stuttgart Bach Collegium
Composed by: Franz Schubert Edison Denisov
Conducted by: Helmuth Rilling
Christian Voigt, tenor
Sibylla Rubens, soprano
Camilla Nylund, soprano
Scot Weir, tenor
Matthias Gorne, baritone
Simone Nold, soprano
Nadja Michael, alto
Kurt Azesberger, tenor


1.   Hier lasst mich ruhn (Lazarus) - 00:03:29
2.   Noch einen Augenblick (Martha) - 00:01:36
3.   Trube nicht mit Klagen seine Seele (Maria) - 00:02:54
4.   Aria: Steh im letzten kampf dem Muden (Maria) - 00:03:31
5.   Voll Friede, ja voll Fried' ist die Seele (Lazarus) - 00:02:48
6.   So segne mich, mein Bruder (Nathanael) - 00:02:22
7.   Willkommen, mein Nathanael (Lazarus) - 00:01:24
8.   Aria: Wenn ich ihm nachgerungen habe (Nathanael) - 00:03:07
9.   Nathanael, bewundern kann ich dich (Martha) - 00:01:14
10.   O Martha, bliebst du stiller (Maria) - 00:02:09
11.   Der Trost begleite dich hinuber (Maria) - 00:01:08
12.   Wenn nun mit tausendfachen Qualen (Maria) - 00:02:05
13.   Aria: Gottes Liebe, du bist seine Zuversicht (Maria) - 00:04:26
14.   Ach, so find ich ihn noch (Jemina) - 00:00:58
15.   Jemina, Tochter der Auferstehung (Lazarus) - 00:04:10
16.   Aria: So schlummert auf Rosen die Unschuld ein (Jemina) - 00:04:02
17.   Nun entflog auf schnellen Schwingen (Jemina) - 00:02:36
18.   Ach seht, er wird so bleich (Jemina) - 00:00:27
19.   Ich sterbe, ach nun kommt (Lazarus) - 00:03:36
20.   Chorus: Allgnadiger, heile du unsrer Seele Wunde - 00:02:36
21.   Einleitung - 00:03:04
22.   Wo bin ich (Simon) - 00:03:17
23.   Aria: O konnt ich, Allgewaltiger (Simon) - 00:04:39
24.   Wes ist der Klage Stimme (Nathanael) - 00:04:07
25.   Chorus: Sanft und still schlaft unser Freund - 00:05:41
26.   So legt ihn in die Blumen (Nathanael) - 00:03:46
27.   Aria: Hebt mich, der Sturme Flugel (Martha) - 00:00:49

Stabat Mater, Op. 58, B. 71 (more info)
Performed by: Washington Orchestra Czech Philharmonic Orchestra Oregon Bach Festival Orchestra Royal Thomson Hall Orchestra New Jersey Symphony Orchestra
Composed by: Antonin Dvorak James Taylor
Conducted by: Robert Shafer Elmer Iseler Jiri Belohlavek Helmuth Rilling Zdenek Macal Laurence Equilbey
Marina Shaguch, soprano
Markus Butter, baritone
Alexandra Coku, soprano
Christine Brewer, soprano
Marietta Simpson, mezzo-soprano
John Aler, tenor
Ding Gao, baritone
Marga Schiml, contralto
Ludek Vele, bass
Livia Aghova, soprano
Claudine Carlson, mezzo-soprano
Pavol Breslik, tenor
Kaaren Erickson, soprano
Aldo Baldin, tenor
Thomas Quasthoff, bass
Ingeborg Danz, alto
Renata Pokupic, soprano
John Cheek, bass
Brigitte Engerer, piano


1.   Stabat mater dolorosa (Soprano, Alto, Tenor, Bass, Chorus) - 00:20:46
2.   Quis est homo qui non fleret (Soprano, Alto, Tenor, Bass) - 00:11:23
3.   Eja mater fons amoris (Chorus) - 00:06:59
4.   Fac, ut ardeat cor meum (Bass, Chorus) - 00:08:33
5.   Tui Nati vulnerati (Chorus) - 00:04:33
6.   Fac me vere tecum flere (Tenor, Chorus) - 00:08:08
7.   Virgo virginum praeclara (Chorus) - 00:05:48

Stabat Mater, Op. 58, B. 71 (more info)
Performed by: Washington Orchestra Czech Philharmonic Orchestra Oregon Bach Festival Orchestra Royal Thomson Hall Orchestra New Jersey Symphony Orchestra
Composed by: Antonin Dvorak James Taylor
Conducted by: Robert Shafer Elmer Iseler Jiri Belohlavek Helmuth Rilling Zdenek Macal Laurence Equilbey
Marina Shaguch, soprano
Markus Butter, baritone
Alexandra Coku, soprano
Christine Brewer, soprano
Marietta Simpson, mezzo-soprano
John Aler, tenor
Ding Gao, baritone
Marga Schiml, contralto
Ludek Vele, bass
Livia Aghova, soprano
Claudine Carlson, mezzo-soprano
Pavol Breslik, tenor
Kaaren Erickson, soprano
Aldo Baldin, tenor
Thomas Quasthoff, bass
Ingeborg Danz, alto
Renata Pokupic, soprano
John Cheek, bass
Brigitte Engerer, piano


1.   Fac, ut portem Christi mortem (Soprano, Tenor) - 00:05:22
2.   Inflammatus et accensus (Alto) - 00:06:52
3.   Quando corpus morietur (Soprano, Alto, Tenor, Bass, Chorus) - 00:08:31


Schicksalslied, Op. 54 (more info)
Performed by: Bamberg Symphony Orchestra Danish National Symphony Orchestra Orchestre Revolutionnaire et Romantique Stuttgart Bach Collegium Stuttgart Radio Symphony Orchestra
Composed by: Johannes Brahms
Conducted by: Robin Ticciati Gerd Albrecht Carl Schuricht Helmuth Rilling John Eliot Gardiner


4.   Schicksalslied, Op. 54 - 00:15:46


Nanie, Op. 82 (more info)
Performed by: Bamberg Symphony Orchestra Danish National Symphony Orchestra Orchestre Revolutionnaire et Romantique Stuttgart Bach Collegium Stuttgart Radio Symphony Orchestra
Composed by: Johannes Brahms
Conducted by: Robin Ticciati Gerd Albrecht Carl Schuricht Helmuth Rilling John Eliot Gardiner
Friedrich von Schiller,


5.   Nanie, Op. 82 - 00:13:03


Gesang der Parzen, Op. 89 (more info)
Performed by: Bamberg Symphony Orchestra Danish National Symphony Orchestra Orchestre Revolutionnaire et Romantique Stuttgart Bach Collegium
Composed by: Johannes Brahms
Conducted by: Robin Ticciati Gerd Albrecht Helmuth Rilling John Eliot Gardiner
Johann Wolfgang von Goethe,


6.   Gesang der Parzen, Op. 89 - 00:12:10

Ein deutsches Requiem (A German Requiem), Op. 45 (more info)
Performed by: Vienna Philharmonic Orchestra Berlin Philharmonic Orchestra Danish National Symphony Orchestra London Symphony Orchestra London Philharmonic Orchestra Leipzig Radio Symphony Orchestra Slovak Radio Symphony Orchestra Stuttgart Bach Collegium Royal Thomson Hall Orchestra Stuttgart Radio Symphony Orchestra
Composed by: Johannes Brahms
Conducted by: Herbert von Karajan Elmer Iseler Rudolf Kempe Gerd Albrecht Richard Hickox Alexander Rahbari Carl Schuricht Helmuth Rilling Herbert Kegel Laurence Equilbey
Stephane Degout, baritone
Bo Skovhus, baritone
Miriam Gauci, soprano
Felicity Lott, soprano
Hans Hotter, bass-baritone
Elisabeth Schwarzkopf, soprano
Yannick Nezet-Seguin,
Mari Anne Haggander, soprano
Elisabeth Watts,
Dietrich Fischer-Dieskau, baritone
David Wilson-Johnson, bass
Boris Berezovsky, piano
Elisabeth Grummer, soprano
Maria Stader, soprano
Hermann Prey, bass-baritone
Donna Brown, soprano
Hermann Josef Dahmen, choirmaster
Edmund von Michnay, choirmaster
Eduard Tumagian, baritone
Siegfried Lorenz, baritone
Gilles Cachemaille, baritone
Inger Dam-Jensen, soprano
Brigitte Engerer, piano
Recording date: June 1955


1.   I. Selig sind, die da leid tragen - 00:11:42
2.   II. Denn alles Fleisch es ist wie Gras - 00:15:41
3.   III. Herr, lebre doch mich - 00:09:46
4.   IV. Wie lieblich sind deine Wohnungen - 00:04:50
5.   V. Ihr habt nun Traurigkeit - 00:06:50
6.   VI. Denn wir haben hie keine bleibende Statt - 00:12:03
7.   VII. Selig sind die Toten - 00:12:23

Mass No. 3 in F minor, WAB 28 (more info)
Performed by: Stuttgart Radio Symphony Orchestra
Composed by: Anton Bruckner
Conducted by: Helmuth Rilling
Verena Schweizer, soprano
Elisabeth Glauser, alto
Uwe Heilmann, tenor
Matthias Gorne, baritone


1.   Kyrie - 00:11:07
2.   Gloria - 00:11:24
3.   Credo - 00:18:51
4.   Sanctus - 00:02:31
5.   Benedictus - 00:08:52
6.   Agnus Dei - 00:09:15


Psalm 150, WAB 38 (more info)
Performed by: Stuttgart Bach Collegium
Composed by: Anton Bruckner
Conducted by: Helmuth Rilling
Franz-Josef Selig, bass
Ingeborg Danz, alto
Pamela Coburn, soprano
Christian Elsner, tenor


7.   Psalm 150, WAB 38 - 00:09:33

Mass No. 2 in E minor, WAB 27 (more info)
Performed by: South West German Radio Symphony Orchestra Russian State Symphony Orchestra Stuttgart Bach Collegium
Composed by: Anton Bruckner
Conducted by: Marcus Creed Valery Polyansky Helmuth Rilling Winfried Toll


1.   Kyrie - 00:07:19
2.   Gloria - 00:08:36
3.   Credo - 00:10:11
4.   Sanctus - 00:03:03
5.   Benedictus - 00:06:18
6.   Agnus Dei - 00:06:17


Christus, S3/R478 (more info)
Performed by: Stuttgart Radio Symphony Orchestra
Composed by: Franz Liszt
Conducted by: Helmuth Rilling
Andreas Schmidt, bass
Michael Schade, tenor
Iris Vermillion, mezzo-soprano
Henriette Bonde-Hansen, soprano


7.   Christus, S3/R478: Passion and Resurrection: Stabat Mater dolorosa - 00:32:40

Mottetto per San Paolino (more info)
Performed by: Stuttgart Radio Symphony Orchestra
Composed by: Giacomo Puccini
Conducted by: Helmuth Rilling
Gunter Teuffel, viola d'amore
Hans Kalafusz, choirmaster


1.   Mottetto per San Paolino - 00:11:32


Les beatitudes, M. 53 (more info)
Performed by: Stuttgart Radio Symphony Orchestra
Composed by: Cesar Franck
Conducted by: Helmuth Rilling
Juan Vasle, bass
Cornelia Kallisch, mezzo-soprano
Ingeborg Danz, alto
John Cheek, bass
Diana Montague, mezzo-soprano
Scot Weir, tenor
Reinhard Hagen, bass
Gilles Cachemaille, baritone
Keith Lewis, tenor


2.   Prologue - 00:05:51
3.   Beatitude No. 1. Selig sind die Armen im Geiste (Blessed are the poor in spirit) - 00:13:51
4.   Beatitude No. 8. Selig sind, die um der Gerechtigkeit willen verfolgt werden (Blessed are those who are persecuted) - 00:21:40


Messa per Rossini (more info)
Performed by: Stuttgart Radio Symphony Orchestra
Composed by: Giuseppe Verdi
Conducted by: Helmuth Rilling
Gabriela Benackova-Cap, soprano


5.   Messa per Rossini: Libera me - 00:13:47

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