Vocal Ensemble Music - Seized By Sweet Desire - Singing Nuns and Ladies, From the Cathedral To the Bed Chamber

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Alleluia / Posui adiutorium (more info)
Composed by: Anonymous Perotin Bo Holten
Recording date: 1-3 March 2005


1.   Alleluia / Posui adiutorium - 00:05:48


Viderunt omnes (more info)
Composed by: Anonymous Perotin Antony Pitts Bo Holten
Recording date: 1-3 March 2005


2.   Viderunt omnes - 00:11:06


A vos vieg, chevalier sire / Et Florebit (more info)
Composed by: Anonymous Bo Holten
Anne-Christine Wesser Ingels, soprano
Recording date: 1-3 March 2005


3.   A vos vieg, chevalier sire / Et Florebit - 00:01:03


Je sui jonete / He Diex! je n'ai pas mari / Veritatem (more info)
Composed by: Anonymous Bo Holten
Susannah Carlsson, soprano
Amy Vestbo, soprano
Recording date: 1-3 March 2005


4.   Je sui jonete / He Diex! je n'ai pas mari / Veritatem - 00:02:10


Soufres, maris, et si ne vous anuit (more info)
Composed by: Anonymous Bo Holten
Elisabeth Orsnaes, alto
Recording date: 1-3 March 2005


5.   Soufres, maris, et si ne vous anuit - 00:01:24


S'on me regarde / Prenes I garde / He! Mi Enfant (more info)
Composed by: Anonymous Bo Holten
Susannah Carlsson, soprano
Amy Vestbo, soprano
Recording date: 1-3 March 2005


6.   S'on me regarde / Prenes I garde / He! Mi Enfant - 00:01:13


Cil bruns ne me meine mie / In Seculum (more info)
Composed by: Anonymous Bo Holten
Helen Rossil, alto
Recording date: 1-3 March 2005


7.   Cil bruns ne me meine mie / In Seculum - 00:02:08


Nus ne mi pourroit / Nonne sui, nonne, laissier / Aptatur (more info)
Composed by: Anonymous Bo Holten
Malene Nordtorp,
Anne-Christine Wesser Ingels, soprano
Recording date: 1-3 March 2005


8.   Nus ne mi pourroit / Nonne sui, nonne, laissier / Aptatur - 00:01:22


Joliement en douce / Quant voi la florete / Je sui joliete / Aptatur (more info)
Composed by: Anonymous Bo Holten
Malene Nordtorp,
Anne-Christine Wesser Ingels, soprano
Susannah Carlsson, soprano
Recording date: 1-3 March 2005


9.   Joliement en douce / Quant voi la florete / Je sui joliete / Aptatur - 00:01:55


Sederunt principes (more info)
Composed by: Perotin Antony Pitts Bo Holten
Recording date: 1-3 March 2005


10.   Sederunt principes - 00:10:30


Mors (clausula) (more info)
Composed by: Anonymous Bo Holten
Recording date: 1-3 March 2005


11.   Mors (clausula) - 00:02:59


Non vos relinquam - Homo quo vigeas (more info)
Composed by: Anonymous Leonin Bo Holten
Rie Koch, alto
Linnea Lomholt, alto
Recording date: 1-3 March 2005


12.   Non vos relinquam - Homo quo vigeas - 00:08:01

Reviews

Early Music: it's not just for men! (May 13, 2010)
Reviewer:Jim D
It is a truth universally acknowledged--but ready for a second look--that music in the Middle Ages was written and performed exclusively by males. Musica Ficta's director Bo Holten makes the point that nuns in their cloisters must surely have offered music at Mass (Hildegard vonBingen, anyone?), and that some of the "trouvere" songs come from a very female perspective. Holten leads his... It is a truth universally acknowledged--but ready for a second look--that music in the Middle Ages was written and performed exclusively by males. Musica Ficta's director Bo Holten makes the point that nuns in their cloisters must surely have offered music at Mass (Hildegard vonBingen, anyone?), and that some of the "trouvere" songs come from a very female perspective. Holten leads his all-female ensemble in deft execution of the intricate Notre Dame motets and in merry singing of infidelity and the pleasures of the flesh. (You will notice how similar in sound secular and sacred music were in the Middle Ages.) If you're a fan of Anonymous 4, much of this is not news to you. If you'd like to explore this musical by-way for the first time, here's a modestly-priced guide (texts and translations included).
(read more)

Seized by Sweet Desire (Nov 9, 2009)
Reviewer:Ted Wilks
This delightful CD gives us a glimpse into what a ground-breaking invention the introduction of three- and four-part notated music (polyphony) was versus single-line notated music. Credit for this invention is given jointly, around the year 1200, to Perotin (a.k.a. Perotinus Magnus or Magister Perotinus) and Leonin (a.k.a. Leoninus, Leonius, or Leo). Tracks 1 and 2 offer examples by Perotin of... This delightful CD gives us a glimpse into what a ground-breaking invention the introduction of three- and four-part notated music (polyphony) was versus single-line notated music. Credit for this invention is given jointly, around the year 1200, to Perotin (a.k.a. Perotinus Magnus or Magister Perotinus) and Leonin (a.k.a. Leoninus, Leonius, or Leo). Tracks 1 and 2 offer examples by Perotin of triple and quadruple organum, respectively; organum may be defined as any of several types of medieval vocal polyphony, usually based on Gregorian chant. The contrast with "traditional" monophonic Gregorian plainchant, with respect to both polyphony and the rhythmical changes incorporated, is astounding. Tracks 10 and 12 similarly offer compositions of Leonin.
For many years, it was assumed that, apart from a few noted pioneers such as Abbess Hildegard of Bingen (1098-1179), Francesca Caccini (1587-c1645), and Elisabeth Jacquet de La Guerre (1665-1729), there were very few documented women composers before 1700; indeed, Vitezslava Kapralova's database lists only around 25. Since it was considered "improper" for women to compose, most women composers' works were either unidentified or passed off as the work of a man. Apart from the assumption that nuns sang in private, little was known about women singers. Tracks 3-9 offer songs by women troubadours, who were much more active as composers and singers than many male musicologists would have had us believe.
All the excerpts on this CD are sung by women, and most were probably written for women to sing. Musica Ficta, a Copenhagen-based group that specializes in early vocal music, polyphony, madrigals, and medieval music, performs splendidly under Bo Holten's directorship. Highly recommended!
Ted Wilks (read more)