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BORODIN: Symphonies Nos. 1, 2 and 3

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Alexander Porfir'yevich Borodin (1833 - 1887) Symphony No.1 in E flat major Symphony No.2 in B minor Symphony No.3 in A minor (completed & orchestrated...

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Alexander Porfir'yevich Borodin (1833 - 1887)

Symphony No.1 in E flat major

Symphony No.2 in B minor

Symphony No.3 in A minor (completed & orchestrated by Alexander Glazunov)

Alexander Porfir'yevich Borodin was born in 1833, the illegitimate son of a Georgian prince, assuming, according to custom the surname and patronymic of one of his father's serfs. His mother later married a retired army doctor and he was brought up at home in cultured and privileged surroundings. Here he was able to develop his early interests in music, in the course of a general education that won him entry in 1850 to the Medico-Surgical Academy. His public career was as a scientist, from 1864 as a professor of chemistry at the Medico-Surgical Academy, and involved him in teaching and in research. In common with a number of contemporaries, he was only able to indulge his interest in music in his spare time, a fact that delayed his progress and left, at his death in 1886, a number of incompleted projects, to be assembled and finished by his friend Rimsky-Korsakov, who had resigned his commission in the navy to devote himself entirely to music, and Rimsky-Korsakov’s pupil Alexander Glazunov.

The nineteenth century saw the development of nationalism throughout Europe. In Russia there was an intellectual reaction to the westernizing tendencies initiated by Peter the Great a century before, and in all the arts a move towards the creation of something specifically Russian. In music opinions were divided between a group of nationalist composers, the so-called Five, led by Balakirev, who had enjoyed a measure of professional training, and including, in addition to Borodin and Rimsky-Korsakov, the expert on military fortification Cesar Cui and the alcoholic ex-army officer turned civil servant Mussorgsky. These nationalist composers gloried in their own relative amateurism, opposing strongly the establishment of professional conservatories in St. Petersburg and Moscow by the Rubinstein brothers, whom they regarded as representative of "German" music. The succeeding generation was able to provide a synthesis between these two rival movements, joining the professional training of the conservatories to Russian sources of inspiration.

Borodin attempted three symphonies, the last of which he never finished. The first, in E flat, took him five years to complete, occupying his intermittent attention from 1862 until 1867. It was given a poor trial performance under Balakirev in March 1868, but was more successful when it was played in the first Russian Music Society concert of 1869. Borodin had met Balakirev first in 1862 and fallen under his influence, of which the First Symphony

was a more or less immediate result, his first sustained exercise in composition and subjected to the often contradictory criticism of his new mentor at every step.

The E flat Symphony

opens with a slow introduction that contains the germ of the Allegro first subject. An E flat major second movement scherzo shows a debt to Mendelssohn, a favourite with Borodin, while the B major trio has about it more the exotic world of Borodin's unfinished opera Prince Igor. The D major slow movement is dominated by a melody originally intended for the cor anglais, until the intervention of Rimsky-Korsakoy and Glazunov, who recommended the use of the cello in its place. The symphony ends with an energetic finale which, in spite of its characteristic second subject, owes much to German tradition and was described by Gerald Abraham as second-hand Schumann, a judgment as harsh as the same writer's view of the scherzo as second-hand Berlioz, deficiencies for which he regarded the original first movement as ample compensation.

The Second Symphony

was started in 1869 and completed seven years later, the period of its composition coinciding very largely with Borodin's intermittent attention to work on Prince Igor. The music is thoroughly Russian in mood and the composer himself suggested in conversation with Stasov that the first movement represented some gathering of Russian warriors, the slow movement a Bajan and the last a crowd in festive mood. The opening movement is dominated by its forceful and ominous first theme. The Scherzo, slightly altered in its opening on the suggestion of Balakirev, who was always ready with advice, however inconsistent, shifts a semi-tone higher, as the repeated note C on the horns serves as the introduction of the new key of F major, much as the G flat chord that opens the Andante, with its moving horn solo, shifts the tonality to D flat, changing to C sharp minor at the start of the colourful B major finale. The symphony, in fact, is remarkable in its technical novelty, within the traditional symphonic framework, and constitutes an orchestral counterpart of Prince Igor, Polovtsian Dances and all.

The Third Symphony, of which only two movements exist, makes use as a second movement of a scherzo in a characteristically uneven rhythm scored originally for string quartet, written in 1882, and orchestrated, as Borodin had intended. For the Trio

Glazunov took music that the composer had written for the first act of Prince Igor but had later rejected. The first movement, reconstructed by Glazunov from the composer's sketches and from his phenomenal memory, had actually originally been intended as a string quartet, a fact that goes some way to explaining its relatively spare texture and gentle mood.

Czechoslovak Radio Symphony Orchestra (Bratislava)

The Czechoslovak Radio Symphony Orchestra (Bratislava), the oldest symphonic ensemble in Slovakia, was founded in 1929 at the instance of Milos Ruppeldt and Oskar Nedbal, prominent personalities in the sphere of music. The orchestra was first conducted by the Prague conductor Frantisek Dyk and in the course of the past fifty years of its existence has worked under the batons of several prominent Czech and Slovak conductors. Ondrej Lenard was appointed its conductor in 1970 and in 1977 its conductor-in-chief. The orchestra has recently given a number of successful concerts both at home and abroad, in West and East Germany, Russia, Bulgaria, Denmark, France, Spain, Italy, and Great Britain.

Stephen Gunzenhauser

The American conductor Stephen Gunzenhauser was educated in New York, continuing his studies at Oberlin, at the Salzburg Mozarteum, at the New England Conservatory and at Cologne State Conservatory. His period at the last of these was the result of a Fulbright Scholarship, followed by an award from the West German Government and a first prize in the conducting competition held in the Spanish town of Santiago.

During the last two decades, Gunzenhauser has enjoyed a varied and distinguished career, winning popularity in particular for his work with the Delaware Symphony.

For the Marco Polo label Stephen Gunzenhauser has recorded works by Bloch, Lachner, Taneyev, Liadov, Gli�re and Rubinstein, and for NAXOS Tchaikovsky's Symphony No.5, Beethoven Overtures, the Saint-Sa�ns’ Organ Symphony, Orff's Carmina Burana and Rachmaninov's Second. He is currently engaged in recording all the symphonies and symphonic poems of Dvorak, also for NAXOS.

Disc 1

Symphony No. 1

(more info)

Performed by: Slovak Radio Symphony Orchestra
Composed by: Alexander Porfir'yevich Borodin
Conducted by: Stephen Gunzenhauser
Recording date: February 1989
Produced by: Appenheimer, Gunter

I. Adagio - 12:23
II. Prestissimo - 7:17
III. Andante - 6:13
IV. Allegro molto vivo - 7:17

Symphony No. 2

(more info)

Performed by: Slovak Radio Symphony Orchestra
Composed by: Alexander Porfir'yevich Borodin
Conducted by: Stephen Gunzenhauser
Recording date: February 1989
Produced by: Appenheimer, Gunter

I. Allegro - 6:57
II. Prestissimo - 5:01
III. Andante - 6:37
IV. Allegro - 6:58

Symphony No. 3

(more info)

Performed by: Slovak Radio Symphony Orchestra
Composed by: Alexander Porfir'yevich Borodin
Conducted by: Stephen Gunzenhauser
Recording date: February 1989
Produced by: Appenheimer, Gunter

I. Moderato assai - 7:44
II. Vivo - 9:47

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Composer(s):
Borodin, Alexander Porfir'yevich

Conductor(s):
Gunzenhauser, Stephen

Orchestra(s):
Slovak Radio Symphony Orchestra

Label: Naxos Classics
UPC: 730099523820
Item Number: 8550238
Release Date: Jun 20, 1990

BORODIN: Symphonies Nos. 1, 2 and 3

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BORODIN: Symphonies Nos. 1, 2 and 3

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