Maurice Ravel (1875 - 1937) Rapsodie espagnole Pavane pour une infante defunte La Valse Daphnis et Chloe (Suite No.2) The French composer Maurice Ravel...
Maurice Ravel (1875 - 1937)
Rapsodie espagnole
Pavane pour une infante defunte
La Valse
Daphnis et Chloe (Suite No.2)
The French composer Maurice Ravel inherited from his mother, of
Basque origin, a strong interest in Spain, tempered by the precise attention to detail
inherited from his father, a Swiss-born engineer. Spanish influence appeared in the first
of his two operas, L'heure espagnole, in the
piano piece, published in 1905 as part of Miroirs, Alborada del gracioso, in the famous
Habanera and indeed in the very choice of title for the enormously popular Pavane pour une infante defunte. Later in life the
ballet tour de force Bolero provided an opportunity for virtuosity of orchestration, with
a Spanish flavour, and one of his last compositions was the setting of three Don Quixote
songs for a film in which the Russian singer Shalyapin was to star.
The Rapsodie espagnole
was completed in 1908 and consists of four movements, the evocative Prelude à la nuit, Malaguena, Habanera, based on an
earlier work for piano, and Feria. This was
Ravel's first major orchestral work, a demonstration of his originality and of his gifts
as an orchestrator. The music moves from the stillness of night to two characteristic
Spanish dances and a final Spanish fiesta.
The Pavane pour une infante
defunte was originally a piano piece, written in 1899. Its title, chosen, it
seems, after the piece had been written, couples a Spanish element with a nostalgia for
the past very typical of the turn of the century. Ravel orchestrated the piece in 1910,
when it was used for a ballet.
The poème choreographique La
Valse was written in response to a commission from Sergey Dyagilev, who
rejected the work. Completed in1920, it was eventually used in the theatre in 1929 by Ida
Rubinstein's company, with choreography by Nijinsky's sister and designs by Benois. Coming
as it does after the final dissolution of the Habsburg Empire, La Valse seems again to
suggest a vanished world, the mysterious evocation of an epoch that was gone, a masque in
the imagination of an Edgar Allan Poe.
The symphonie choreographique Daphnis et Chloe is based on the Hellenistic novel
by Longus, a Greco-Roman writer about whom nothing is known. His pastoral romance, set on
the island of Lesbos, deals with the love, forced parting and final happiness of the
shepherd Daphnis and the shepherdess Chloe, abducted by pirates, but eventually united
again with Daphnis, their union a subject of general rejoicing, under the inspiration of
the shepherd god Pan. Ravel drew two orchestral suites from the original score, the second
of them in 1912, the year in which Dyagilev's Ballets russes performed the work at the
Theatre du Chatelet in Paris, with designs by Bakst, choreography by Fokin and the two
title roles danced by Karsavina and Nijinsky. The scandal surrounding the latter's
performance in his ballet using Debussy's pastoral L'apres-midi
d'un faune overshadowed Ravel's ballet, which lacked the necessary ingredients
of a succes de scandale, while celebrating again a long-vanished world, evoked in vivid
and moving orchestral colours, subtly enhanced by the use of an added chorus.
Czecho-Slovak Radio Symphony Orchestra (Bratislava)
The Slovak Radio Symphony Orchestra (Bratislava), the oldest
symphonic ensemble in Slovakia, was founded in 1929. The orchestra's first conductor was
Frantiek Dyk and over the past sixty years it has worked under the batons of several
prominent Czech and Slovak conductors.
The orchestra has made many recordings for NAXOS ranging from
the ballet music of Tchaikovsky to more modern works by composers such as Copland, Britten
& Prokofiev. For Marco Polo the orchestra has recorded works by Glazunov, Gliere,
Rubinstein and other post-romantic composers.
Kenneth Jean
Associate Conductor of the Chicago Symphony Orchestra and Music
Director of the Florida Symphony Orchestra, Kenneth Jean is a young conductor making his
presence known both nationally and internationally. Born in New York City, he grew up in
Hong Kong and returned to the United States in 1967 to live in San Francisco. After violin
studies at San Francisco State University, he entered the Juilliard School at the age of
19 and was accepted into the conducting class of Jean Morel. The following year, he made
his Carnegie Hall debut with the Youth Symphony Orchestra of New York and was immediately
engaged as the orchestra's Music Director.
From 1979 until 1985 Kenneth Jean served as Resident Conductor
of the Detroit Symphony Orchestra. Previously, he was the Conducting Assistant of the
Cleveland Orchestra for two seasons.
He has recorded works by Mendelssohn. Tchaikovsky, Beethoven,
Falla, Albeniz and Ravel for Naxos, and Chinese contemporary works for HK.