ENGLISH ORGAN MUSIC Craig S. Lang (1891 - 1971) Tuba Tune, Op. 15 Herbert Howells (1892 - 1983) Psalm Preludes, Set 1, Op. 32 Edward Elgar (1857 - 1934)...
ENGLISH ORGAN MUSIC
Craig S. Lang (1891 - 1971)
Tuba Tune, Op. 15
Herbert Howells (1892 - 1983)
Psalm Preludes, Set 1, Op. 32
Edward Elgar (1857 - 1934)
Sonata, Op. 28
Ralph Vaughan Williams (1872 - 1958)
Hymn Prelude on 'Rhosymedre'
Percy Whitlock (1903 - 1945)
Hymn Preludes on (a) Darwalls 148th (b) Song 13
Norman Cocker (1889- 1953)
Tuba Tune
C. S. LANG (1891 - 1971) was born in New Zealand but later settled in
England. Between 1929 and 1945 he was Director of Music at Christ's Hospital,
Horsham. The Tuba Tune is his most popular piece, exploring the sounds of the
solo stop in both the treble and tenor registers.
HERBERT HOWELLS (1892 - 1983) wrote his first set of Psalm Preludes between
1915 and 1916, the second set at three following in 1938/9; In same ways these
early works illustrate the influence of his teacher, Charles Stanford, with whom
he had studied, at the Royal College of Music in London, but they also bear the
hallmarks of his individuality - a reflective style full of harmonic and tonal
colour, homophonic and contrapuntal contrasts, the use to rhythm to generate
momentum at one moment and to create suspense at another, the subtle use of
melodic lines which emerge from the texture, and all within a carefully defined
structure, Howells went on to write his "Elegy' in 1917, in memory of a
fellow student who had died during the First World War and the meditative
qualities of these psalm preludes are perhaps a reflection of the trouble
war-time experiences which were being felt during the time of their composition.
Like his father before him EDWARD ELGAR (1857 - 1934) was church organist. He
was most excited by the sounds of the new organ in Worcester Cathedral and it
was to be this instrument which inspired the composition of his Organ Sonata,
completed in June 1895. The first performance was given by Hugh Blair, on the
occasion of a visit to Worcester Cathedral by a group of American organists. The
work is orchestral in concept, both in terms of the large scale structure and in
terms of the internal detail. The contrasting thematic material in each movement
is tightly organised and even sometimes links movements - the use of the Andante
main theme in the concluding section of the Presto is the most obvious example.
Within each movement a wide range of musical and tonal variety is explored -
solo stops are featured and combined, various chorus sounds are heard, and there
are sweeping crescendos and diminuendos, as well as sudden contrasts in sound.
In short, this is a Symphony for the organ. The work is dedicated to Charles
Swinnerton Heap, a much respected Choral conductor to whom Elgar owed much of
his early success.
"Rhosymedre", the second of a set of three pieces founded on Welsh
hymn tunes, is perhaps the most famous organ piece written by RALPH V AUGHAN
WILLIAMS (1872 - 1958). Like Howells, he studied composition with Stanford at the
Royal College of Music and there are many parallels to be drawn between the work
of these two gifted proteges. The influence of folk song on Vaughan Williams was
significant and, like Howells, he was much interested in the contrapuntal style
of the sixteenth century English school of composers. Even closer parallels
might be drawn between the work of Vaughan Williams and that of Elgar - both
dictated the mainstream developments in English music of the first half of the
twentieth century.
Another graduate of the Royal College of Music was PERCY WHITLOCK (1903-
1946). He went on to be Assistant Organist at Rochester Cathedral where he had
previously been a chorister. It is thanks to this background that he produced
such a skilfully crafted collection of compositions for the church in both the
organ and choral spheres, as these two little known pieces aptly illustrate. In
1932 he became the Borough Organist at Bournemouth and established his
reputation as a recitalist of distinction, despite his badly deformed right hand
thumb. Percy Whitlock's early death came about after a long fight against
tuberculosis.
NORMAN COCKER (1889 - 1953) was born in Yorkshire and went on to become a
chorister at Magdelene College, Oxford. He progressed to the Organ Scholarship
at Merton College, Oxford but never completed his degree being sent down, on his
own admission, for not doing enough work. He was appointed Assistant Organist at
Manchester Cathedral in 1920 and later held appointments in various churches and
cinemas in the city. Beside his musical attributes Cocker was also an amateur
conjurer.
© Gareth Green, 1992.
Gareth Green
Gareth Green began his professional studies at the Royal College of Music on
a junior exhibition, achieving the A.L.C.M. and A.R.C.M. Organ Performer
diplomas soon after his fifteenth birthday. A year later he passed A.R.C.O. and
at the age of eighteen, was awarded the Dixon and Turpin prizes for F.R.C.O.
Subsequently, he added CHM (Choir training) diploma and the F.L.C.M. in
composition. He held Organ Scholarships at St. Paul's Cathedral London,
Worcester College, Oxford University and at Canterbury Cathedral before being
appointed assistant organist at Wakefield Cathedral and music master at Queen
Elizabeth Grammer School Wakefield, in January 1983. Between 1985 and 1991 he
served as Director of Music at the school, a post he has now relinquished in
favour of his free lance interests as a recitalist, examiner, adjudicator,
accompanist, composer and private teacher. He has given over 200 recitals in the
U.K. and elsewhere in Europe, including a number of radio broadcasts.