Ottorino Respighi (1879 - 1936) Piano Concerto in A Minor Toccata for piano and orchestra Fantasia Slava for piano and orchestra Respighi is best known for...
Ottorino Respighi (1879 - 1936)
Piano Concerto in A Minor
Toccata for piano and orchestra
Fantasia Slava for piano and orchestra
Respighi is best known for his colourful pictures of Rome in the symphonic
poems, the Fontane di Roma, Pini di Roma and Feste Romane. Born in
Bologna in 1879, the son of a musician, he was taught the piano by his father
and later entered the Liceo Musicale in Bologna, where his teachers included
Federico Sarti, and, for composition, Torchi and Martucci. An engagement as a
string- player in St Petersburg in 1900 and 1901, and a return there in 1902-3,
allowed him to embark on study with Rimsky-Korsakov, before his return to
Bologna, where he took his diploma in composition. For five years, from 1903 to
1908, he was a member of the Quartetto Mugellini. He then spent some months in
Berlin, where Nikisch conducted some of his transcriptions of earlier music,
including Vitali's Chaconne and Monteverdi's Lamento di Arianna, tokens
of his continuing interest in earlier periods of Italian music. He was also able
to take lessons from Max Broch. In 1913 he took a position as teacher of
composition at the Liceo di Santa Cecilia in Rome, later the Conservatorio, and
in 1924 was appointed director of the same institution. In 1919 he married Elsa
Olivieri Sangiacomo, his pupil and herself a singer and composer. In 1926 he
resigned his position as director of the Conservatory and for the last ten years
of his life devoted himself more fully to composition.
Respighi was certainly one of the most important Italian composers of his
time and won for himself an international reputation in concert tours throughout
Europe and in America. The first of the Roman symphonic poems, the Fontane di
Roma, was completed in 1916, with I Pini completed in 1924 and the Feste
romane in 1928. His Piano Concerto in A minor is a relatively early
work, completed in 1902, and it is therefore natural that other influences
should be apparent, elements that suggest earlier musical practices as much as
contemporary, although it was some years before his interest in Gregorian chant
found direct expression in his Concerto gregoriano for violin and
orchestra, completed in 1921, and his Concerto in modo misolidio for
piano and orchestra, completed four years later. The Piano Concerto opens
with a grandiose flourish, before more lyrical material is introduced. The
piano-writing is often florid, idiomatic and demanding, in music that is
thoroughly romantic in character, moving to a calmer central section, its
serenity shattered by the outburst that marks the final section of the work, a
dramatic finale, that brings its own moments of repose and of bravura.
Respighi's Toccata for piano and orchestra was written in 1928, the
year of Feste romane, three years after the Concerto in modo misolidio.
There is an impressive opening that has inevitable echoes of the Baroque in
its abruptly dotted rhythms, with the introduction of a less characteristic
melodic element, notably from a solo cello in dialogue with the piano, followed
by material of a clearly modal nature. There is a passage of deeply felt
melancholy at the heart of the work, before the brilliant piano sequences that
introduce the vigorous final section, with its cadenza and figuration suggesting
a transmutation of Baroque sequential passage-work.
The Fantasia Slava for piano and orchestra was completed in 1903 and
might naturally be supposed to reflect something of Respighi's stay in St
Petersburg and the brief period of study with Rimsky-Korsakov. The Fantasia opens
with a typically Slav melody, before the entry of the solo piano. Dance elements
appear, in interplay between piano and orchestra, with more histrionic material
and passages of pianistic display, over which the spirit of Rachmaninov
sometimes hovers.
Konstantin Scherbakov
Konstantin Scherbakov was born in 1963 in Barnaul, Siberia, where he received
his first piano instruction. In 1978 he began study with Irina Naumova at the
Gnesin School in Moscow and from 1981 to 1986 was a pupil of Lev Naumov at the
Tchaikovsky Conservatory. He has won prizes at the Montreal International
Competition, the Busoni Piano Competition in Bolzano and in 1983 won first prize
at the Moscow Rachmaninov Competition. Other awards include second prize in 1991
at the Concours Geza Anda in Zurich and Geza Anda Television Prize for his
interpretation of Tchaikovsky's First Piano Concerto. In the same year he won
second prize at the International Competition Premio Valentino Bucchi in Rome, a
competition dedicated to music of the twentieth century. Konstantin Scherbakov
has given concerts in over a hundred cities in Russia and also has regular
engagements in France, Switzerland, Italy, Germany and Czechoslovakia. His
recitals in Italy have included a cycle of Prokofiev piano sonatas at a festival
devoted to the work of that composer and a four recital cycle of piano music by
Rachmaninov. He has recorded extensively at home and abroad and in addition to
his concert activities is a member of the teaching staff of Moscow Conservatory,
where he is an assistant to Lev Naumov.
Slovak Radio Symphony Orchestra (Bratislava)
The Slovak Radio Symphony Orchestra (Bratislava), the oldest symphonic
ensemble in Slovakia, was founded in 1929 at the instance of Milos Ruppeldt and
Oskar Nedbal, prominent personalities in the sphere of music. Ondrej Lenard was
appointed its conductor in 1970 and in 1977 its conductor-in-chief, succeeded
recently by Robert Stankovsky. The orchestra has given successful concerts both
at home and abroad, in Germany, Russia, Bulgaria, Denmark, France, Spain, Italy,
Great Britain, Hong Kong and Japan. For Marco Polo the orchestra has recorded
works by Glazunov, Glière, Miaskovsky and other late romantic composers and
film music of Honegger, Bliss, Ibert and Khachaturian as well as several volumes
of the label's Johann Strauss Edition. Naxos recordings include
symphonies and ballets by Tchaikovsky, and symphonies by Berlioz and
Saint-Saëns.
Howard Griffiths
The British-born Howard Griffiths studied music at the Royal College of Music
in London and was awarded a scholarship by the British Council to study
conducting with George Hurst. He continued these studies withErichSchmid in
Zurich and Leon Barzin in Paris. ln 1981 he settled in Switzerland where he has
conducted the Zurich Tonhalle Orchestra, the Basie Radio Symphony Orchestra and
the Lucerne and Winterthur SymphonyOrchestras. Other engagements have brought
concerts with prominent orchestras throughout Europe, with broadcasts and
recordings, and notably in Turkey, where appearance at the 1991
Ankara Festival with the Northern Sinfonia has led to a series of important
recordings. Howard Griffiths is director of the Strings of Zurich and is
artistic director of the Allensbach Music Festival in Germany. ln 1994 he was
appointed Principal Guest Conductor of the Zurich Chamber Orchestra and has
recently accepted a similar appointment with the Oxford Orchestra da Camera.