The Name You Trust for Classical Music

Read reviews, listen to the music, and purchase the CD BACH, J.C.: Sinfonias, Vol. 4

Customer Service Toll Free 866.489.4152

Flash 9 required. Click to download.

Narrow your search
with our Music Browser

Classical Music

        Ballet
        Chamber Music
        Choral
        Concertos
        Film Music
        Folk Legends
        Instrumental
        Musicals
        Opera / Operetta
        Orchestral
        Vocal

Jazz

Jazz Contemporary
Jazz Icons

New Age

Wind Band

World

        Ballad
        Bhuddist
        Chinese Music
        Classical (World)
        Early Music (World)
        Folk
        Gamelan
        Gypsy
        Hindustani
        Jazz (World)
        Klezmer
        Sufi
        Vocal (World)
        World

Special Offers:

Free MP3 Downloads

Catalogs

Internship Opportunities

Masters of American Music

Alice in Wonderland Promotion

Clearance

Penguin Guide

200 Essential Recordings

Recently Released

Upcoming Releases

SACD

DVD

        Ballet DVD
        Classical Concert
        Classical Documentary
        Dance Documentary
        Opera DVD
        Pop/Rock Concert

Audio Books

        Anthologies / Collections
        Arts
        Biographies
        Children's Classics
        Classic Fiction
        Great Epics and Tales
        History
        Junior Classic Fiction
        Junior History
        Literature
        Music Biographies
        Music Education
        Non-Fiction
        Philosophy
        Plays - Others
        Plays - Shakespeare
        Poetry
        Religion
        Samplers
        Sports
        Wine Guide

NaxosDirect Podcasts

Video Librarian Reviews

Labels

Naxos Label

        Naxos American Classics
        Naxos Best Of...
        Naxos Box Sets
        Naxos Cinema Classics
        Naxos Classics
        Naxos DVD
        Naxos DVD-Audio
        Naxos International
        Naxos Jazz
        Naxos Limited Edition
        Naxos Milken Archives
        Naxos Night Music
        Naxos Opera
        Naxos Orchestral
        Naxos Special Release
        Naxos Wind Band Classics
        Naxos World

Composers

Conductors

Ensembles

Orchestras

Choirs

Artists

Instruments

Producers

BACH, J.C.: Sinfonias, Vol. 4

Home

Naxos Label

Naxos Classics

View large image

$8.99 (CD)

In Stock - Usually ships within 24 hours.

Link to this CD Link to this page

Johann Christian Bach (1735 -1782) Symphonies Op. 18, Nos.1- 6 Symphony in E flat major for double orchestra, Op. 18, No.1 Symphony in B flat major, Op. 18,...

Read more about this recording

Johann Christian Bach (1735 -1782)

Symphonies Op. 18, Nos.1- 6

Symphony in E flat major for double orchestra, Op. 18, No.1

Symphony in B flat major, Op. 18, No.2

Symphony in D major for double orchestra, Op. 18. No.3

Symphony in D major, Op. 18, No.4

Symphony in E major for double orchestra, Op. 18, No.5

Symphony in D major, Op. 18, No.6

Johann Christian Bach, the youngest son of Johann Sebastian, was born in 1735 in Leipzig, where his father had served as Thomaskantor since 1723. By the time of his birth his two eldest brothers, born to Johann Sebastian's first wife, had left home. Wilhelm Friedemann was employed as organist at the Sophienkirche in Dresden and Carl Philipp Emanuel was at the University of Frankfurt-am-Oder.

The fourth surviving son of Johann Sebastian's first marriage, Johann Gottfried Bernhard had secured a position as organist at Muhlhausen, where his father had once served. Three surviving older children of the second marriage were at home, including the feeble-minded Gottfried Heimrich and the three-year-old Johann Christoph Friedrich. Johann Christian was taught by his father and perhaps by his cousin Johann Elias, who had come to live with the family. By the time of his father's death in 1750 he was the last of the sons to remain at home, Johann Christoph Friedrich having recently found appointment as an organist at Buckeburg.

Johann Christian now moved to Berlin, where his half-brother Carl Philipp Emanuel was now harpsichordist to King Frederick the Great. Here he was able to undertake further study with his brother and it was during the following three years in Berlin that he wrote his first keyboard concertos and a choral ode for the King's birthday, among other compositions. In 1754 he seized the opportunity to travel to Italy, where introductions enabled him to enter the service of Count Agostino Litta, a member of one of the leading families in Milan. His patron encouraged him to turn his attention to church music and there followed a period of study with Padre Martini in Bologna. By 1757 he had become a Catholic and in 1760 was appointed organist at Milan Cathedral, although now he had turned his attention as a composer more particularly to secular forms. His first opera, Artaserse was written in 1760 for the Teatro Regio in Turin and the following year his setting of another Metastasio libretto, Catone in Utica, was given at the San Carlo theatre in Naples, where his Alessandro nell'lndie was staged early in 1762.

Offers had now come from Venice and from London for Bach's services, while Naples still hoped for further operas from him. Taking leave from his duties at the Cathedral, to which he had recently given relatively little attention, Bach travelled to London for the 1762-3 opera season, arranging a series of pasticcios before the mounting of his own Orione at the King's Theatre in February 1763, followed in May by Zanaida.

Later the same year he finally resigned his position in Milan and now settled in London, where he enjoyed the favour of Queen Charlotte, whose music-master he became, sharing lodgings with the viola da gamba player Carl Friedrich Abel, whose father had served with Johann Sebastian Bach at the court in Weimar .With Abel Bach established a series of subscription concerts that continued until his death. At the same time he enjoyed a reputation as a composer of Italian opera, notably for the King's Theatre. It was in London that the young Mozart met Bach, shared improvisation with him on one recorded occasion and fell under his lasting influence as a composer.

A commission for an opera at Mannheim took Bach there in 1772 and this was followed by further commissions. In 1778 he responded to a commission for an opera from the Academie Royale de Musique in Paris, where he again met Mozart. Meanwhile his popularity and fortunes in London had declined. The subscription concerts, which had involved a considerable investment, were proving unprofitable and there was less demand for his work in the opera-house.

He still enjoyed considerable respect, but, in addition to the demands of importunate tradesmen which he could not meet, he suffered from the depredations of a dishonest housekeeper. His health suffered and he died on 1st January 1782, leaving very considerable debts. His widow, the singer Cecilia Grassi, whom he had married in 1773, was helped to return to Italy by Queen Charlotte, who was able to assist with funeral expenses, although Bach's debts could never be fully met.

The six symphonies that form Opus 18, described as Six Grand Overtures, include three, Nos. 1, 3 and 5, for double orchestra, the first consisting of pairs of oboes and horns, bassoon and strings and the second of two flutes and strings, while the others use the full orchestra, with clarinets, bassoons, trumpets and timpani. Symphony Opus 18, No.2 is the overture to the opera Lucio Silla, written for Mannheim in 1774. The third is the overture to Endimione, a serenata given at the King's Theatre in 1772 and the sixth is based in part on the overture to the Paris opera Amadis de Gaule, first given in Paris in 1779 with indifferent success in the presence of Queen Marie Antoinette. The three double orchestra symphonies reflect the style and abilities of Mannheim players and explore the possibilities of contrast between the two instrumental groups, while the second symphony, the overture to Lucio Sillar represents Bach's ability as an instrumental composer at its height, all in all a judgement that might be extended to the Opus 18 set of works as a whole.

Disc 1

Sinfonia for Double Orchestra in E flat major, Op. 18, No. 1

(more info)