Summertime - Music for Clarinet Quartet
$9.99
(COMPACT DISC)
In Stock - Usually ships within 24 hours.
Just copy this code and paste it where you want the link on your website:
Music for Clarinet Quartet Terence Thompson's witty jazz suite City Scenes starts with a light-hearted Stroll in the City, delicately sketched. Blowing the...
Music for Clarinet Quartet
Terence Thompson's witty jazz suite City Scenes starts
with a light-hearted Stroll in the City, delicately
sketched. Blowing the Blues provides a leisurely
interlude, before the cheerful and lively Hot Potato
Boogie, a blues derivative, with its characteristic bass
pattern.
George Gershwin, of immigrant Russian-Jewish
parentage, acquired an idiomatic facility with lighter
American musical idioms, exemplified in the many
contributions he made to the musical stage. His
Somebody loves me was written for the show George
White's Scandals of 1924, the fourth and last of an
annual series of shows, exactly contemporary with his
attempt to fulfil classical ambitions with his famous
Rhapsody in Blue.
The Belgian composer Rik Pelckmans is probably
best known for his Swing March. His Slapstick is
introduced by characteristic chordal harmonies, before
the piece takes its way, against its standard bass pattern,
melodic contours interweaving, as the saints come
marching home.
Willy Mortier's jazz suite opens with Rainbow
Bridge, its chords building on a repeated accompanying
figure. It is followed by the languid and gently
evocative The Maid of the Mist and the ascending
Skylon. Oneida, Clifton Hill and Pyramid Place,
continue to sketch the surrounds of the Niagara Falls,
the Skylon Tower, the national park of Pyramid Place
and other sites, all in skilfully contrived textures.
George Botsford became familiar with the
traditional cakewalk in his native Iowa. His later career
centred on New York, where he was part of the fashion
for composing dances associated with animals, the fox,
the turkey, and, in his case, the grizzly bear. His wellknown
Black and White Rag is aptly arranged here for
clarinet quartet, one of a number of alternative
instrumentations of the piece.
Gershwin's Liza is taken from his 1929 musical
Show Girl. The Three Preludes for piano date from
1926. They represent the composer's search for a form
of synthesis between the classical and jazz. The second
movement is a blues, forming a contrast with the first
and third pieces. The song The man I love has appeared
in many arrangements, ranging from Percy Grainger to
Larry Adler, and in performances by leading classical
singers, among others. It was first popularised by the
torch singer Helen Morgan.
Leonard Bernstein established himself as a figure of
great importance in American musical life, both as a
composer and as a conductor. His West Side Story, to a
book by Arthur Laurents and in collaboration with the
choreographer Jerome Robbins, translates Romeo and
Juliet into contemporary American terms, with the
rivalry of two gangs, the Jets and Sharks. The excerpts
arranged for clarinet quartet include the tense stand-off
between the gangs and the doomed love-affair between
Tony and Maria, the heart of the tragedy.
The musical found one of its best known exponents
in Richard Rodgers, collaborating first with Lorenz Hart
and then with Oscar Hammerstein II. The Blue Room is
taken from the 1926 collaboration with Hart, The Girl
Friend, a love-song.
Gershwin achieved his only real operatic success in
his Porgy and Bess, first staged in 1935, and based on a
work by DuBose Heyward, who collaborated with Ira
Gershwin, his brother's usual lyricist. It is based on the
poignant romance of a black South Carolina cripple and
beggar, Porgy, and his beloved Bess, on Catfish Row.
Among the best known songs in the opera is
Summertime, which has taken on an independent
existence. It is sung by Clara in the first act, as she
nurses her baby, a moving lullaby. Oh, Lady Be Good is
from the musical Lady Be Good, a collaboration with
Ira Gershwin and others, first staged in 1924.
K. Zach
City Scenes (more info)
-
I. A Stroll in the City - 2:49
-
II. Blowing the Blues - 1:49
-
III. Hot Potato Boogie - 1:09
George White's Scandals of 1924: Somebody Loves Me (arr. A. Marshall) (more info)
-
George White's Scandals of 1924: Somebody Loves Me (arr. A. Marshall) - 3:09
Slapstick (more info)
-
Slapstick - 5:54
Jazz Suite (more info)
-
I. Rainbow Bridge - 2:35
-
II. The Maid of the Mist - 3:00
-
III. Skylon - 1:48
-
IV. Oneida - 1:29
-
V. Clifton Hill - 1:58
-
VI. Pyramid Place - 1:21
Black and White Rag (arr. J. McLeod) (more info)
-
Black and White Rag (arr. J. McLeod) - 3:00
Show Girl: Liza (arr. J. Sears) (more info)
-
Show Girl: Liza (arr. J. Sears) - 2:15
3 Preludes (arr. W. Schlei) (more info)
-
I. Allegro ben ritmato e deciso - 1:33
-
II. Andante con moto e poco rubato - 3:56
-
III. Allegro ben ritmato e deciso - 1:16
Lady, be Good!: The Man I Love (arr. J. Sears) (more info)
-
The Man I Love: The Man I Love (arr. J. Sears) - 4:23
West Side Story: Suite (arr. P. Van Netelbosch) (more info)
-
I. Allegro - 2:39
-
II. Allegro - 2:09
-
III. Tempo di valse - 1:04
-
IV. Lento espressivo - 2:40
The Girl Friend (arr. J. Sears) (more info)
-
The Girl Friend: The Blue Room (arr. J. Sears) - 2:48
Porgy and Bess, Act I: Summertime (arr. M. Ricci) (more info)
-
Porgy and Bess, Act I: Summertime (arr. W. Ricci) - 4:03
Lady, be Good!: Oh, lady, be good! (arr. A. Marshall) (more info)
-
Lady, Be Good!: Oh, Lady Be Good! (arr. A. Marshall) - 1:47