GUARNIERI: Piano Concertos Nos. 1-3
Total playing time: 01:09:40
$8.99
(CD)
In Stock - Usually ships within 24 hours.
Just copy this code and paste it where you want the link on your website:
Mozart Camargo Guarnieri (1907-1993) Piano Concertos Nos. 1, 2 and 3 Mozart Camargo Guarnieri is universally recognised as the most important Brazilian...
Mozart Camargo Guarnieri (1907-1993)
Piano Concertos Nos. 1, 2 and 3
Mozart Camargo Guarnieri is universally recognised as
the most important Brazilian composer after Villa-
Lobos. His impact on the musical life of Brazil, as a
composer, teacher, and conductor, can hardly be
overestimated. Guarnieri influenced a new generation
of nationalist composers for whom the use of folk
material was not so much a compositional premise, as it
had been earlier in the century, but rather one additional
source of material that could be freely combined with
elements derived from other musical traditions. This
new approach lent their work an aura of universality
coloured by regionalism, which remains highly
appealing to a foreign audience. No one combined and
balanced these materials with greater sensitivity,
inspiration, and compositional virtuosity than
Guarnieri, and yet the most astonishing aspect of his
aesthetic approach to nationalism is that he shied away
from quoting any traditional melody (as Villa-Lobos
and many of Guarnieri's contemporaries did),
preferring instead to evoke the particular rhythms,
melodies, and sonorities that characterize Brazilian
music through completely invented material.
Guarnieri's nationalism is best understood within the
broader context of the aesthetic pluralism that
characterized the second half of the twentieth century,
when nationalism was no longer an expedient for
labeling some musical cultures as peripheral or exotic.
Guarnieri's nationalism was of the same kind that made
possible the highly inventive music of composers as
diverse as Stravinsky, Bartok, Ginastera, and Copland.
Guarnieri's musical personality makes an
immediate impression, as Copland himself had an
opportunity to experience. In 1941, following an
extended trip through South America, Copland reflected
on his experiences and his exposure to the musical
trends then in vogue in the continent. He was
particularly struck with the diversity of musical
traditions in Brazil, and his discovery of a thriving artmusic
culture was undoubtedly surprising to him.
Among the composers he met was Guarnieri, whom he
assessed in highly complimentary terms:
Guarnieri is the most exciting talent among Latin
American composers. He possesses all the
necessary credentials, as well as an impeccable
compositional technique, a fertile imagination, and
an uncommon personality... His works are more
organically integrated than those of Villa-Lobos,
without being any less reflective of Brazilian
traditions. But what I like best about his music is its
healthy emotional expression. He is the most
authentic musician of the continent.
Piano Concerto No. 1 (more info)
-
I. Salvagem - 7:30
-
II. Saudosamente - 6:01
-
III. Depressa - 6:13
Piano Concerto No. 2 (more info)
-
I. Decidido - 7:44
-
II. Afetuoso: Scherzando - 8:24
-
III. Vivo - 6:42
Piano Concerto No. 3 (more info)
-
I. Allegro deciso - 8:01
-
II. Magoado - 11:45
-
III. Festivo - 7:20