Rochberg: Symphony No. 2 / Imago Mundi
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George Rochberg (1918-2005) Symphony No. 2 (1955-56) Imago Mundi (1973) George Rochberg was born in Paterson, New Jersey on 5th July, 1918, and died at...
George Rochberg (1918-2005)
Symphony No. 2 (1955-56) Imago Mundi (1973)
George Rochberg was born in Paterson, New Jersey on 5th
July, 1918, and died at Newtown Square, near
Philadelphia, where he had lived for over forty years, on
30th May, 2005. From 1951, he was Director of
Publications for the music publishing house Theodore
Presser, in 1960 becoming Chairman of the Music
Department at the University of Pennsylvania. In 1979 he
was designated Annenberg Professor of the Humanities,
retiring from the University in 1983. Rochberg's music
has been honoured since his earliest substantial
compositions, his Night Music receiving the George
Gershwin Memorial Award in 1953. Since then,
Naumberg Recording Awards, Guggenheim Fellowships,
Honorary Doctorates, a Fellowship at the American
Academy in Rome, and Fulbright Scholarship in 1950-51
(the year in which he met and befriended Luigi
Dallapiccola), the ASCAP Lifetime Achievement Award
in 2000, and countless other honours accumulated in ever
greater profusion. In 1996, his manuscripts and papers
were acquired for the archives of the Paul Sacher
Foundation in Basel, Switzerland.
Although not completed until the spring of 1956,
George Rochberg's Symphony No. 2 is unquestionably a
wartime work. Living in New York in 1941-42 with his
new wife, Gene, making ends meet by playing at jazz bars
and clubs while studying with Hans Weisse, Leopold
Mannes and George Szell at the Mannes School of Music,
Rochberg's student life and idyllic early years of marriage
were interrupted by call-up into the United States Army in
November 1942. There followed three testing years
serving as a captain with Allied forces in Europe. At the
Battle of the Bulge, Rochberg was severely wounded,
spending close on a year in recovery and rehabilitation. As
the war ended, he was able to take up his studies again at
the Curtis Institute of Music in Philadelphia, where he
honed his skills in counterpoint under the great Rosario
Scalero, who had been a member of Brahms's circle in
Vienna sixty years earlier.
The hour-long First Symphony [to appear on Naxos
8.559214], written in 1948-49, was the first large-scale
work to result, an important stepping-stone on the way to
the Second. Exploring the power of the orchestral palette
for the first time, delineating his expressive boundaries and
challenges, establishing a powerfully individual personal
language, still essentially "tonal" but ever more sharply
pressing the harmonic limits of that language, the First
Symphony is a young composer's assertive laying-down of
the gauntlet.
All of the accumulated anger and anguish about the
Second World War was now freed, through the First's
refinement of a mature technique, to explode onto the page
in unfettered spontaneity, an immediacy of compositional
vision sharpened, if anything, by the four years spent
polishing the score of the Second in the intervals of other
work.
"My war experience had etched itself deep in my
soul. After the end of the war, I lived with an ever
sharpening awareness of the approach to the
abyss I saw in a world coming apart at the seams.
I was distressed at the growing slovenliness of
people's bad thinking and worse behaviour and
became nauseated by the growing narcissism on
all sides, more particularly as it surfaced in
public comments and statements of leading artists
and writers of the day, but even more as it showed
itself in the works being produced in a never
ending stream of bad taste, bum ideas and sloppy
craftsmanship. There was no recourse but to
stubbornly pursue my own purposes and
disregard virtually everything and everyone
else."
Symphony No. 2 (more info)
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I. Declamando - 8:49
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II. Allegro scherzoso - 5:28
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III. Adagio - 9:45
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IV. Quasi tempo primo - 5:00
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V. Coda - 2:26
Imago mundi (more info)
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Imago Mundi - 24:06:00