VIENNA CHOIR BOYS VIENNA CHOIR BOYS A JEWISH CELEBRATION IN SONG SHOLOM KALIB: THE DAY OF REST (Excerpts) (1978) ABRAHAM KAPLAN: PSALMS OF ABRAHAM ...
VIENNA CHOIR BOYS
VIENNA CHOIR BOYS
A JEWISH CELEBRATION IN SONG
SHOLOM KALIB: THE DAY OF REST (Excerpts) (1978)
ABRAHAM KAPLAN: PSALMS OF ABRAHAM (1980)
Bridging several decades, thousands of miles and distinct religious
and cultural differences, this recording represents a unique artistic connection
forged by the Milken Archive between a venerable European institution and Jewish
music written for the children's choir of a Midwestern American synagogue.
It features the Vienna Choir Boys, a venerable ensemble founded in 1498 and
associated for more than five centuries with the Roman Catholic Hapsburg Imperial
Chapel, singing two works originally commissioned by and written for the Beth
Abraham Youth Chorale. Founded at a Dayton, Ohio congregation in the 1970s,
the Solomon Schechter Award-winning Beth Abraham Youth Chorale is well known
for commissioning new works of Jewish music, many of which are considered classics.
This CD marks the very first time that the Vienna Choir Boys have recorded music
of the American Jewish experience.
Both of these compositions, Shalom Kalib's The Day of
Rest--a setting of prayers from the Sabbath liturgy--and Abraham Kaplan's Psalms
of Abraham, were originally scored for treble voices only. At the
suggestion of the Vienna Choir Boys, the Milken Archive commissioned the two
composers to rework some of the settings in a four-part SATB configuration,
combining boys' and adult men's voices with solo cantorial parts in the medium
typical of virtually all Eastern European synagogue choral music that was
transplanted to America. On this disc, recorded in Vienna, the Choir Boys are
joined by the Chorus Viennensis, an adult ensemble of Choir Boys alumni;
Naftali Herstik, Chief Cantor of the Great Synagogue of Jerusalem; Cantor Shimon
Craimer; and the Vienna Chamber Orchestra, conducted by Gerald Wirth.
The recording fulfills several goals central to the Milken
Archive's mission. First, it encourages performances of Judaically related
repertoire. Since the recording sessions for this CD, the Vienna Choir Boys
have performed this music frequently and will sing selections from it on their
upcoming, 35-city United States tour from October through December 2004.
Further, this release revitalizes and brings to light specific areas of American
Jewish music that might otherwise have been neglected, as illustrated by the
work of Sholom Kalib, who has preserved in his own compositions the rich
Eastern European synagogue music tradition that constitutes one of the
surviving legacies of a now vanished world.
Sholom Kalib's Day of Rest is a concert service that
includes prayer settings from three sections of the Sabbath liturgy: Friday
evening, Saturday morning and Saturday evening. The six movements heard on
this recording reflect a variety of moods evoked by the texts: reflective and
tranquil, joyful and triumphant, nostalgic and majestic. Musically, as Milken
Archive Artistic Director Neil Levin explains, this work "was intended
deliberately to recall and incorporate cantorial idioms, melodic contours,
modal practices and an overall emotional ambience of the Eastern European
cantorial-choral tradition that developed in the Czarist and Hapsburg empires
from the 17th to the late 19th centuries." Certain characteristics of that
tradition were transplanted in America by immigrant cantors and choirmasters,
and are clearly evident in Kalib's sophisticated reinterpretation. In
addition, Levin points out, one can also hear in certain passages of this work
echoes of the grandiose and majestic style more commonly associated with the
music of the 19th-century western Ashkenazi--or "German"--synagogue, a style
greatly influenced by Western classical music models and seen notably in the
works of Sulzer and Lewandowski.
Abraham Kaplan's Psalms of Abraham is a cantata
comprising original settings of 12 texts or excerpts from the Book of Psalms,
scored for various combinations of cantorial soloist, choir and chamber
orchestra. Discussing this work, the composer noted that the Psalms reflect
the contrasting emotions of joy and sadness, faith and insecurity that mark
human nature, and remarked that he sought to capture these qualities and
utilize them as unifying themes throughout. The texts he chose include Psalm
23 ("The Lord is my Shepherd"), Psalm 24 ("Lift up your gates"),
Psalm 137 ("By the rivers of Babylon"), Psalm 121 ("I will lift my eyes to the
hills"), and Psalm 150 ("Praise God in His sanctuary").
Both composers represented on this disc are also
distinguished choral directors and arrangers. Sholom Kalib, who was a
choirmaster at a major Chicago synagogue at the age of 14, has held several
cantorial posts, and is a noted Jewish music scholar who has embraced
Shenkerian analysis. He has especially championed the Eastern European
cantorial and synagogue musical tradition, seeking to perpetuate it through
historical analysis and the creation of new works. Israeli-born choral
director and conductor Abraham Kaplan, who studied at Aspen, Juilliard and
Tanglewood, has led numerous important premieres and recordings of works by
composers including Robert Starer, Vincent Persichetti and George Rochberg.
Director of choral studies at Juilliard for 16 years, he prepared the School's
chorus for the inaugural concert at Lincoln Center under Leonard Bernstein, with
whom he often collaborated in ensuing years. Kaplan has led his own choral and
instrumental ensembles and also served for more than 30 years as choral
director of New York's Park Avenue Synagogue.